<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Feminist Hacking on Patrícia J. Reis — Media &amp; Installation Artist</title><link>https://patriciajreis.com/topics/feminist-hacking/</link><description>Recent content in Feminist Hacking on Patrícia J. Reis — Media &amp; Installation Artist</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Sun, 01 Mar 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://patriciajreis.com/topics/feminist-hacking/index.xml" rel="self" type="application/rss+xml"/><item><title>Sensorial Mechanisms</title><link>https://patriciajreis.com/projects/sensorial-mechanisms-2025-2026/</link><pubDate>Sun, 01 Mar 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/sensorial-mechanisms-2025-2026/</guid><description>&lt;p&gt;Artists Dorota Walentynowicz and Patrícia J. Reis create a shared visual and conceptual space shaped by a soft yet firm negotiation of the gaze. The exhibition brings together a constellation of objects, images, and surfaces that do not fully reveal themselves. Instead, they flicker between presence and concealment—between the desire to be seen and the right to refuse visibility.&#10;Embedded within these gestures is an inquiry into the digital gaze: mediated seeing, synthetic vision, machine desire. The artists ask whether, even for a brief moment, we can step back from the flood of images that saturates our daily lives and reflect on the normative frameworks of seeing and being seen—frameworks that reinforce prejudice, capitalism, and colonial narratives.&#10;They direct the audience’s attention toward what remains unseen, shifting the gaze away from spectacle and toward its backstage. In doing so, they expose mechanisms of power, recover what has been forgotten, and open the possibility of re-reading the history of visual media and technology from a feminist perspective.&lt;/p&gt;</description></item><item><title>What's love got to do with it?</title><link>https://patriciajreis.com/projects/whats-love-got-to-do-with-it/</link><pubDate>Thu, 09 Nov 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/whats-love-got-to-do-with-it/</guid><description>&lt;p&gt;“A culture of domination is anti-love. It requires violence to sustain itself. To choose love is to go against the prevailing values of the culture. Many people feel unable to love either themselves or others because they do not know what love is.” Bell Hooks (1994)&lt;/p&gt;</description></item><item><title>CLAY PCB</title><link>https://patriciajreis.com/projects/clay-pcb-2023/</link><pubDate>Fri, 15 Sep 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/clay-pcb-2023/</guid><description>&lt;p&gt;We challenge conventional PCB economies through feminist hacking lenses, prioritising sentient, low-impact, non-toxic, fair-traded, and recycled production methods.&lt;/p&gt;&#10;&lt;p&gt;It is an open secret that the hardware in our smart devices contains not only plastics but also conflict minerals like tin, silver and gold.&#10;We investigated alternative hardware from locally sourced materials, so-called ethical hardware, to develop and speculate upon renewable practices for the benefit of both nature and humans. To decolonise technology we had to go beyond demystifying the black box, and dive deeper into understanding the basic elements these circuits and chips are made of. This journey took us virtually to many places, from gold mines in Indonesia to upcycle workshops in Cuba and e-waste landfills in Ghana.&lt;/p&gt;</description></item><item><title>Who has land to make a fire?</title><link>https://patriciajreis.com/projects/who-has-land-to-make-a-fire/</link><pubDate>Thu, 23 Mar 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/who-has-land-to-make-a-fire/</guid><description>&lt;p&gt;The project by Patrícia J. Reis, Céline Struger and Kristin Weissenberger was presented at Mz* Baltazar’s Laboratory (2023), Vienna, in the form of an exhibition. It revolved around the group&amp;rsquo;s collaborative and artistic process, using ceramics as their primary medium for exploration. The group’s goal was to create a shared artistic process that encouraged reflection and discussion among the artists involved. Through this project, the artists also wanted to shed light on the emancipation history of female artists and to explore the relationship between ceramics, hacking and other fields of art.&lt;/p&gt;</description></item><item><title>Coffee Table</title><link>https://patriciajreis.com/projects/coffee-table/</link><pubDate>Thu, 08 Sep 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/coffee-table/</guid><description>&lt;p&gt;In the interactive installation Coffee Table (in German ‘Kaffeekränzchen’), the legacy of gendered porcelain collecting, and the different functions and meaning of this in women’s lives, was explored, while also engaging with themes of art, science and technology.&lt;/p&gt;</description></item></channel></rss>