Critical AI on Patrícia J. Reis — Media & Installation Artist

Sensorial Mechanisms

Sun, 01 Mar 2026 00:00:00 +0000

Artists Dorota Walentynowicz and Patrícia J. Reis create a shared visual and conceptual space shaped by a soft yet firm negotiation of the gaze. The exhibition brings together a constellation of objects, images, and surfaces that do not fully reveal themselves. Instead, they flicker between presence and concealment—between the desire to be seen and the right to refuse visibility. Embedded within these gestures is an inquiry into the digital gaze: mediated seeing, synthetic vision, machine desire. The artists ask whether, even for a brief moment, we can step back from the flood of images that saturates our daily lives and reflect on the normative frameworks of seeing and being seen—frameworks that reinforce prejudice, capitalism, and colonial narratives. They direct the audience’s attention toward what remains unseen, shifting the gaze away from spectacle and toward its backstage. In doing so, they expose mechanisms of power, recover what has been forgotten, and open the possibility of re-reading the history of visual media and technology from a feminist perspective.

Traces of Control

Tue, 12 Aug 2025 00:00:00 +0000

Within their artistic research Patrícia J. Reis and Ruth Schnell explore the far-reaching societal and ethical impacts of artificial intelligence, as well as its technological influence on our lived environment. Their interactive mixed media installation expands the physical exhibition into a hybrid experiential space by interweaving virtual and physical layers and adding a digital dimension to real objects and artefacts.

The Cosmic Box

Sat, 02 Aug 2025 00:00:00 +0000

In their site-specific video installation titled The Cosmic Box, artists Patrícia J. Reis and Fernando Mesquita craft a thought-provoking satire that reflects on the human condition, blending dark humor with poignant social critique. Part of the group exhibition Tombola, where the theme and media for each artwork are determined by chance, Reis and Mesquita received the theme “Hope” and the media “Staging.” Their response is a clever subversion of the very notion of hope, offering instead a narrative steeped in pessimism and critique of human existence.

[B.M.I.] BELIEVER. MACHINE. INTERFACE

Fri, 05 Jan 2018 00:00:00 +0000

We learned to believe in machines! We enjoy believing in machines!

The BMI project investigates fictional technomancy by questioning the boundaries between science, religion and magic from the point of view of the user and/or the believer.

The wishing machine project

Fri, 05 Jan 2018 00:00:00 +0000

The wishing machine project explores technomancy science fiction imaginary through the creation of a machine that can make one’s wishes become true. The open source apparatus is powered by orgone energy [Wilhelm Reich, 1930] known to be as a “universal life force” flowing within living bodies and nature. Referring to other black boxes typologies [as the photo camera by Vilém Flusser, 1983], this apparatus contains an input and an output plate. The wishes are symbolically represented and placed on the input plate while the wisher touches and gently rubs the output plate. The process is concluded when the orgone energy is sensorial perceived in the body.

Penetrating the black box

Thu, 04 Jan 2018 00:00:00 +0000

The installation proposes the photographic apparatus as a “black box” and as a metaphor to reflect upon the relation between the private and public space of the image. Inspired by Vilém Flusser’s writings on photography, the artist employs his concepts of faith and magic, event and happening, towards the “coded cameras”, questioning the existence of the political space of the digital image. In the installation Penetrating the black box, Reis creates a “scene” consisting of a mechanical apparatus that is programmed in order to automatically trigger two photo digital cameras (at different moments) inside a black box. The output image from the cameras is transmitted in real-time onto two monitors.