Display Island 2025Installation, Object, TextileEmbodied Technologies, Female representation, Haptics & Sensoriality, Politics of the Gaze, Technopolitics & Pleasure
Sensorial Mechanisms 2025-2026Collaborations, Installation, Interactive installation, Object, Video, TextileCritical AI, Embodied Technologies, Female representation, Feminist Hacking, Haptics & Sensoriality, Material Technologies, Politics of the Gaze, Technopolitics & Pleasure
Skin under skin 2025Interactive installation, Object, TextileAutomatism, Embodied Technologies, Haptics & Sensoriality, Human–Machine Relations, Technopolitics & Pleasure
Traces of Control 2025Ceramics, Collaborations, Installation, Interactive installation, Object, VideoCritical AI, Female representation, Human–Machine Relations, Material Technologies, Politics of the Gaze, Technopolitics & Pleasure
Massage Chairs Love series 2024Ceramics, Interactive installation, Object, TextileAutomatism, Embodied Technologies, Haptics & Sensoriality, Human–Machine Relations, Material Technologies, Technopolitics & Pleasure
Of clouds and clocks 2024Collaborations, Installation, Performance, TextileAutomatism, Human–Machine Relations
The Cosmic Box 2024Collaborations, Installation, Mechanical audiovisual installation, Video, Physical computingAutomatism, Critical AI, Haptics & Sensoriality, Human–Machine Relations, Technopolitics & Pleasure
CLAY PCB 2023-Ceramics, Collaborations, Interactive installation, ObjectFeminist Hacking, Low-Tech, Material Technologies
What's love got to do with it? 2023Ceramics, Collaborations, Interactive installation, Object, TextileEmbodied Technologies, Feminist Hacking, Haptics & Sensoriality, Material Technologies
Who has land to make a fire? 2023Ceramics, Collaborations, Installation, Object, VideoFeminist Hacking, Low-Tech, Material Technologies
Coffee Table 2022-2024Ceramics, Collaborations, Interactive installation, Performance, TextileFeminist Hacking, Haptics & Sensoriality, Low-Tech
endoSensorial mask 2022Interactive installation, Object, TextileEmbodied Technologies, Haptics & Sensoriality, Human–Machine Relations
"The Medusa v. The Odalisque" 2021Ceramics, Collaborations, Installation, Photography, VideoFemale representation, Material Technologies, Politics of the Gaze, Technopolitics & Pleasure
from object to affect: proposals for future archives after the media 2021Collaborations, Interactive installation, Object, Video, TextileAutomatism, Embodied Technologies, Haptics & Sensoriality, Human–Machine Relations, Technopolitics & Pleasure
Sensorial Screen #3 2021Interactive installation, Mechanical audiovisual installation, Object, Video, TextileAutomatism, Embodied Technologies, Haptics & Sensoriality, Human–Machine Relations
Blow! 2019Interactive installation, Object, TextileEmbodied Technologies, Haptics & Sensoriality, Human–Machine Relations
Through the hole is the way "Out-of-This World" 2019Collaborations, Installation, Interactive installation, Object, TextileEmbodied Technologies, Haptics & Sensoriality, Human–Machine Relations, Politics of the Gaze
Sensorial screen #1 2018Interactive installation, Object, TextileAutomatism, Embodied Technologies, Haptics & Sensoriality, Human–Machine Relations
Touching my breath 2018Interactive installation, Object, TextileEmbodied Technologies, Haptics & Sensoriality, Human–Machine Relations
[B.M.I.] BELIEVER. MACHINE. INTERFACE 2017Installation, Mechanical audiovisual installation, Object, VideoAutomatism, Critical AI, Haptics & Sensoriality, Human–Machine Relations
Intimate Archives After Media 2017Collaborations, Interactive installation, Object, Video, TextileAutomatism, Embodied Technologies, Haptics & Sensoriality, Human–Machine Relations, Technopolitics & Pleasure
The wishing machine project 2016Installation, Object, VideoAutomatism, Critical AI, Human–Machine Relations, Low-Tech, Material Technologies
Underneath the skin another skin 2016Interactive installation, Object, TextileEmbodied Technologies, Haptics & Sensoriality, Human–Machine Relations, Technopolitics & Pleasure
Cutting the body 2013–2015Mechanical audiovisual installation, VideoAutomatism, Female representation, Haptics & Sensoriality, Human–Machine Relations, Politics of the Gaze
Odalisques #2 2013–2019Interactive installation, Photography, VideoFemale representation, Haptics & Sensoriality, Human–Machine Relations, Politics of the Gaze
Penetrating the black box 2013-2015Mechanical audiovisual installation, ObjectAutomatism, Critical AI, Haptics & Sensoriality, Human–Machine Relations, Politics of the Gaze
Inside out: myself as Diana 2010-2015Interactive installationFemale representation, Haptics & Sensoriality, Human–Machine Relations, Politics of the Gaze, Technopolitics & Pleasure
Odalisques #1 2008Interactive installation, Photography, VideoFemale representation, Haptics & Sensoriality, Human–Machine Relations, Politics of the Gaze
The bath 2008Video projection, 3 acts, Variable dimensionsFemale representation, Politics of the Gaze
Patrícia's bath 2007PhotographyFemale representation, Politics of the Gaze, Technopolitics & Pleasure
Divorced… Wedding Dress 2004Photography, Variable dimensionsFemale representation, Politics of the Gaze