<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Patrícia J. Reis on Patrícia J. Reis — Media &amp; Installation Artist</title><link>https://patriciajreis.com/</link><description>Recent content in Patrícia J. Reis on Patrícia J. Reis — Media &amp; Installation Artist</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Tue, 13 Oct 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://patriciajreis.com/index.xml" rel="self" type="application/rss+xml"/><item><title>Tactile Intelligence: Rethinking Consent through Embodied AI Prototyping</title><link>https://patriciajreis.com/news/tactile-intelligence-rethinking-consent-throu/</link><pubDate>Sat, 03 Oct 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/tactile-intelligence-rethinking-consent-throu/</guid><description>&lt;p&gt;MZ* Baltazar&amp;rsquo;s Lab Jägerstraße 52-56 1200 Wien&lt;/p&gt;&#10;&lt;p&gt;This hands-on workshop explores the ethical, emotional, and sensory dimensions of AI-driven human-machine interaction by approaching the body as a “black box”—both as an artistic strategy and as a critical lens through which to examine how interactive technologies, and AI in particular, engage with bodies. Rather than prioritising control, prediction, and optimisation, it focuses on intimate, situated experience while questioning how bodies are shaped, abstracted, and often excluded and discriminated against within these technological paradigms.&lt;/p&gt;</description></item><item><title>Hardware and Eco-Feminist Art</title><link>https://patriciajreis.com/news/hardware-and-eco-feminist-art/</link><pubDate>Sat, 03 Oct 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/hardware-and-eco-feminist-art/</guid><description>&lt;p&gt;Patrícia J. Reis / Stefanie Wuschitz &lt;strong&gt;Hacking and Artistic Practices Towards Ethical Technology&lt;/strong&gt; &lt;a href="https://www.transcript-verlag.de/978-3-8376-7862-8/hardware-and-eco-feminist-art/?number=978-3-8394-1932-8"&gt;Link for free PDF download&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>Performing Critique with Lisa Großkopf, Patrícia J. Reis, and Mehrta Shirzadian</title><link>https://patriciajreis.com/news/performing-critique-with-lisa-grokopf-patrcia/</link><pubDate>Wed, 26 Aug 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/performing-critique-with-lisa-grokopf-patrcia/</guid><description>&lt;p&gt;Moderated by Nadine Khalil (curator-in-residence) philomena+ Heinestraße 40, 1020 Vienna Artist Talk: Performing Critique, led by independent critic and curator Nadine Khalil, currently in residence at PART, brings together Vienna-based artists Lisa Großkopf, Patrícia J. Reis and Mehrta Shirzadian to consider how they use performance to examine the systems that place demands on their labour and artistic production. Their practices interrogate the pressures of self-optimisation and marketability in the art world, the technological amplification of sensory perception and bodily capacities, and microbial processes that act as agents within the body. Together, these practices examine how neoliberal and institutional infrastructures shape what bodies can do and how they are valued. They ask how human, technological and microscopic bodies are regulated and controlled within systems of power, and how performance can reconfigure these hierarchies through humour, slowing down or performing otherwise.&lt;/p&gt;</description></item><item><title>Hardware and Eco-Feminist Art:</title><link>https://patriciajreis.com/news/hardware-and-eco-feminist-art-2/</link><pubDate>Thu, 09 Jul 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/hardware-and-eco-feminist-art-2/</guid><description>&lt;p&gt;&lt;strong&gt;Hacking and Artistic Practices Towards Ethical Technology&lt;/strong&gt; An event organised by Patrícia J. Reis and Stefanie Wuschitz in cooperation with Mz* Baltazar’s Laboratory.&lt;/p&gt;&#10;&lt;p&gt;Jägerstraße 52-54 1200 Wien&lt;/p&gt;</description></item><item><title>Secession Tuesdays</title><link>https://patriciajreis.com/news/secession-tuesdays/</link><pubDate>Tue, 07 Jul 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/secession-tuesdays/</guid><description>&lt;p&gt;Curated by Maximilian Lehner Friedrichstraße 12 1010 Wien&lt;/p&gt;</description></item><item><title>Ecofeminism across Materials, Bodies, and Systems in Post-digital times</title><link>https://patriciajreis.com/news/ecofeminism-across-materials-bodies-and-syste/</link><pubDate>Sat, 27 Jun 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/ecofeminism-across-materials-bodies-and-syste/</guid><description>&lt;p&gt;[Inter]ACT! Forum 2026 Burg Wildegg, Vienna&lt;/p&gt;</description></item><item><title>Praxeologie der Digitalität: Interdisziplinäres Symposium zum künstlerischen Arbeiten im Zeitalter digitaler Reproduzierbarkeit</title><link>https://patriciajreis.com/news/praxeologie-der-digitalitt-interdisziplinres/</link><pubDate>Tue, 16 Jun 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/praxeologie-der-digitalitt-interdisziplinres/</guid><description>&lt;p&gt;&lt;em&gt;Eine Kooperation zwischen den Abteilungen Expanded Museum Studies, Kulturwissenschaften, Geometrie sowie Kunstsammlung und Archiv&lt;/em&gt;&lt;/p&gt;&#10;&lt;p&gt;Universität für angewandte Kunst Wien Seminarraum 6 Oskar Kokoschka-Platz 2, 1010 Wien&lt;/p&gt;</description></item><item><title>12.06.2026, 13.06.2026</title><link>https://patriciajreis.com/news/12062026-13062026/</link><pubDate>Fri, 12 Jun 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/12062026-13062026/</guid><description>&lt;p&gt;&lt;a href="https://ima.or.at/de/projekt/trans/"&gt;trans.* Festival&lt;/a&gt;&#10; Klangturm St. Pölten Kuratorin:&lt;/p&gt;&#10;&lt;p&gt;&lt;a href="https://ima.or.at/de/biografie/elisabeth_schimana/"&gt;Elisabeth Schimana&lt;/a&gt;&#10; In Kooperation mit dem &lt;a href="https://www.festspielhaus.at/de/stadtlandfluss"&gt;Festival StadtLandFluss&lt;/a&gt;&#10; und dem &lt;a href="https://www.festspielhaus.at/de/"&gt;Fest/Spiel/Haus St. Pölten&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>Hacking the Body as a Black Box: AI and Embodied Experience</title><link>https://patriciajreis.com/news/hacking-the-body-as-a-black-box-ai-and-embodi/</link><pubDate>Thu, 21 May 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/hacking-the-body-as-a-black-box-ai-and-embodi/</guid><description>&lt;p&gt;&lt;a href="https://www.intermediartes.com/#speakers"&gt;Intermediartes: Conference on Media, Arts and Interaction&lt;/a&gt;&#10; School of Media Arts and Design Auditorium Luis Soares Politécnico do Porto R. Dom Sancho I 1, Porto, Portugal How can we reclaim the body in a landscape increasingly contaminated by AI hype? Can technology still become an ally in bringing us back in touch with each other and ourselves, beyond predictability and disembodied interaction? How can we create interfaces that bring the body back to the centre of experience?&lt;/p&gt;</description></item><item><title>Clareiras (Clearings)</title><link>https://patriciajreis.com/news/clareiras-clearings/</link><pubDate>Sat, 23 May 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/clareiras-clearings/</guid><description>&lt;p&gt;&lt;a href="https://associacaoearthsea.org/"&gt;Clareiras (Clearings)&lt;/a&gt;&#10; &lt;strong&gt;Technologies as Clearings: Ecofeminism between Materials, Bodies and Systems&lt;/strong&gt; A PiSCiNA Rua Santa Catarina 132, 2nd floor Porto, Portugal Using the metaphor of clearings, this hybrid conversation reflects on the need to unravel the eco-socio-political complexity of contemporary technologies from an ecofeminist perspective. Working with the&lt;/p&gt;</description></item><item><title>ClayPCB</title><link>https://patriciajreis.com/news/claypcb/</link><pubDate>Tue, 31 Mar 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/claypcb/</guid><description>&lt;p&gt;University of Amsterdam, natuurkamer, &lt;a href="https://www.waag.org/"&gt;Waag&lt;/a&gt;&#10; Guest Lecture &lt;strong&gt;Eco-feminist decolonial hardware&lt;/strong&gt; 30.3.2026, 17h &lt;a href="https://www.criticalinfralab.net/upcoming/?id=1637"&gt;Critical Infrastructure lab&lt;/a&gt;&#10; University of Amsterdam&lt;/p&gt;</description></item><item><title>Are You Human?</title><link>https://patriciajreis.com/news/are-you-human/</link><pubDate>Sat, 31 Jan 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/are-you-human/</guid><description>&lt;p&gt;&lt;a href="https://khojstudios.org/event/notes-from-the-digital-underground-bodies-machines-publics/"&gt;Notes from the Digital Underground&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;Goethe-Institut New Delhi, India Bringing together artists, scholars, and technologists, Notes from the Digital Underground convened critical conversations on bodies, machines, and publics to unpack the complexities of networked life in a digitally uneven India. Through shared inquiry and dialogue, the symposium reflects on the contradictions and possibilities of the digital present, while imagining ways of living—and working—otherwise.&lt;/p&gt;</description></item><item><title>Finissage &amp; Guided Tour —Sensorial Mechanismsat CSW ŁAŹNIA, Gdańsk</title><link>https://patriciajreis.com/news/finissage-guided-tour-sensorial-mechanismsat/</link><pubDate>Sun, 15 Feb 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/finissage-guided-tour-sensorial-mechanismsat/</guid><description>&lt;p&gt;CSW ŁAŹNIA Jaskółcza 1 Street 80-767 Gdańsk, Poland The event includes a guided tour through the exhibition led by the artists and curator Jola Woszczenko, offering insights into the works and the research processes behind them — from sensory structures to material interfaces and embodied perception.&lt;/p&gt;</description></item><item><title>ŁAŹNIA Centre for Contemporary Art</title><link>https://patriciajreis.com/news/ania-centre-for-contemporary-art/</link><pubDate>Fri, 14 Nov 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/ania-centre-for-contemporary-art/</guid><description>&lt;p&gt;Exhibition &lt;strong&gt;Sensorial Mechanisms&lt;/strong&gt; &lt;strong&gt;PATRÍCIA J. REIS AND DOROTA WALENTYNOWICZ&lt;/strong&gt; Jaskółcza 1 Street 80-767 Gdańsk Poland &lt;a href="https://magazynszum.pl/sensoryczne-mechanizmy-patricii-j-reis-i-doroty-walentynowicz-w-csw-laznia/"&gt;Read review&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>Notes from the Digital Underground</title><link>https://patriciajreis.com/news/notes-from-the-digital-underground/</link><pubDate>Sat, 31 Jan 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/notes-from-the-digital-underground/</guid><description>&lt;p&gt;&lt;a href="https://khojstudios.org/event/notes-from-the-digital-underground-bodies-machines-publics/"&gt;Notes from the Digital Underground&lt;/a&gt;&#10; was a symposium by Khoj, conceptualised with Mila T. Samdub, held on 31 January and 1 February 2026 at the Goethe-Institut / Max Mueller Bhavan in New Delhi, India.&lt;/p&gt;</description></item><item><title>Suck my Code</title><link>https://patriciajreis.com/news/suck-my-code/</link><pubDate>Mon, 13 Oct 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/suck-my-code/</guid><description>&lt;p&gt;&lt;strong&gt;Exhibit Galerie&lt;/strong&gt; Schillerplatz 3, 1010 Vienna Austria&lt;/p&gt;</description></item><item><title>Ecosystems</title><link>https://patriciajreis.com/news/ecosystems/</link><pubDate>Thu, 11 Dec 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/ecosystems/</guid><description>&lt;p&gt;&lt;strong&gt;Laura Coulson and Patrícia J. Reis&lt;/strong&gt; Das LOT, Wien Absberggasse 31, 1100 Wien, Österreich &lt;a href="https://www.instagram.com/p/DSIuoXsDTCU/"&gt;Watch podcast&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>GALERIE LISI HÄMMERLE</title><link>https://patriciajreis.com/news/galerie-lisi-hmmerle/</link><pubDate>Sun, 28 Dec 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/galerie-lisi-hmmerle/</guid><description>&lt;p&gt;Exhibition whatamess Lisi Hämmerle Anton-Schneider-Straße 4a 6900 Bregenz Austria Artists:&lt;/p&gt;&#10;&lt;p&gt;Bella Angora – Iris Andraschek – Thom Barth – Gottfried Bechtold – B. J. Blume – Christian Boltanski – Götz Bury – Carla Degentardt – Georg Dinstl – Ugo Dossi – Manfred Egender – Franz Ehmann – Christian Eisenberger – Tone Fink – G.R.A.M. – Mathias Garnitschnig – Hasso Gehrmann – Harald Gmeiner – Elsbeth Gisinger-Fessler – Rainer Ganahl – Monika Helfer – Edith Hofer – Eva Maria Joelli – Rudi Klein – Ulli Knall – Marina Koldobskaya – Michaela Konrad – Claudia Larcher – Paul Albert Leitner – Ulrike Lienbacher – Barbarella Maier – Sabine Marte – Albert Mayr – Georgij Melnikov – Flora Neuwirth – Leo Peschta – Carmen Pfanner – Franz Pichler – Paul Renner – David Reumüller – Ferdinand Ruef – Stoph Sauter – Liddy Scheffknecht – Patrícia J. Reis &amp;amp; Ruth Schnell – Elisabeth von Samsonow – Ruth Schnell – Kathrin Ströbl &amp;amp; Mohammed Laouli – Bianca Tschaikner – Maja Vukoje – Alexandra Wacker – Albert Weis – Amrei Wittwer&lt;/p&gt;</description></item><item><title>Machinic Metabolism</title><link>https://patriciajreis.com/news/machinic-metabolism/</link><pubDate>Thu, 18 Sep 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/machinic-metabolism/</guid><description>&lt;p&gt;Exhibition &lt;strong&gt;Lothringer 13 Halle&lt;/strong&gt; Lothringer Str. 13 81667 München Germany&lt;/p&gt;</description></item><item><title>Communities of Communities: Austria’s Art–Tech Ecosystem Remix</title><link>https://patriciajreis.com/news/communities-of-communities-austrias-arttech-e/</link><pubDate>Thu, 23 Oct 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/communities-of-communities-austrias-arttech-e/</guid><description>&lt;p&gt;Innovation Stage, Aula der Wissenschaften, &lt;a href="https://maps.app.goo.gl/MFkaXbV3qLmLUHh49"&gt;Wollzeile 27A, 1010 Wien&lt;/a&gt;&#10; CultTech Summit Curated and moderated by NODE Media Lab (Burcu Ozturkler and Ozan Turkkan) with Tamer Oslan, Daniela Weiss, Hans-Christian Hasselmann and Patricia J. Reis&lt;/p&gt;</description></item><item><title>PCB Clay</title><link>https://patriciajreis.com/news/pcb-clay/</link><pubDate>Thu, 16 Oct 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/pcb-clay/</guid><description>&lt;p&gt;CCU studio &lt;a href="https://www.google.com/maps/place//data=!4m2!3m1!1s0x47c66f72532cae75:0x7749e17c08b5c13a?sa=X&amp;amp;ved=1t:8290&amp;amp;ictx=111"&gt;Vlampijpstraat 84, 3534 AR Utrecht&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;Netherlands&lt;/p&gt;</description></item><item><title>TRACES OF CONTROL</title><link>https://patriciajreis.com/news/traces-of-control/</link><pubDate>Wed, 10 Sep 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/traces-of-control/</guid><description>&lt;p&gt;&lt;strong&gt;PATRÍCIA J. REIS AND RUTH SCHNELL&lt;/strong&gt; PARALLEL VIENNA &lt;strong&gt;Galerie Lisi Hämmerle&lt;/strong&gt; Otto-Wagner-Areal, Baumgartnerhöhe 1, 1140 Vienna Austria&lt;/p&gt;</description></item><item><title>TRACES OF CONTROL</title><link>https://patriciajreis.com/news/traces-of-control-2/</link><pubDate>Sat, 12 Jul 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/traces-of-control-2/</guid><description>&lt;p&gt;&lt;strong&gt;PATRÍCIA J. REIS AND RUTH SCHNELL&lt;/strong&gt; &lt;strong&gt;Galerie Lisi Hämmerle&lt;/strong&gt; Anton-Schneider-Straße 4a, 6900 Bregenz, Austria &lt;strong&gt;About the Exhibition:&lt;/strong&gt; &lt;em&gt;Traces of Control&lt;/em&gt; explores the hidden traces of artificial intelligence, focusing on the subtle yet pervasive forms of digital control inscribed into bodies, emotions, and social behaviours. These dynamics are sometimes visible—but more often they operate at the edges of perception. The exhibition presents ceramic objects, embroidered data visualisations, and media-based artefacts that critically engage with AI’s influence in sensitive domains such as autonomous weapon systems, neurotechnologies, and the simulation of pleasure and consent. Merging speculative design with real-world data, the works examine the complex, sensorial, and material entanglements between humans and machines.&lt;/p&gt;</description></item><item><title>25.6.2025 - 30.6.2025</title><link>https://patriciajreis.com/news/2562025-3062025/</link><pubDate>Wed, 25 Jun 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/2562025-3062025/</guid><description>&lt;p&gt;Exhibition Anti/Medea: Phantasms, Love, Deceptions Back to Athens Festival Isaia Mantion PATISION 65, Athens, Greece&lt;/p&gt;</description></item><item><title>6.5. to25.6.2025</title><link>https://patriciajreis.com/news/65-to2562025/</link><pubDate>Wed, 25 Jun 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/65-to2562025/</guid><description>&lt;p&gt;Exhibition The Unexpected: Enquiries on Human-AI Interaction Artists: Pamela Breda, Patricia Reis, Ruth Schnell AIL ::&lt;/p&gt;&#10;&lt;p&gt;&lt;a href="https://ail.angewandte.at/program/the-unexpected"&gt;Angewandte Interdisciplinary Lab&lt;/a&gt;&#10; Opening:&lt;/p&gt;&#10;&lt;p&gt;06.5.2025, 18h Opening hours during exhibitions Mon–Fri, 11h - 18h &lt;em&gt;Guided Tours:&lt;/em&gt; &lt;em&gt;20 May / 5 Jun, 17h&lt;/em&gt; Otto Wagner-Postsparkasse Georg-Coch-Platz 2, 1010 Vienna&lt;/p&gt;</description></item><item><title>Tactile Agency: Rethinking Consent through Embodied AI Prototyping</title><link>https://patriciajreis.com/news/tactile-agency-rethinking-consent-through-emb/</link><pubDate>Sat, 07 Jun 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/tactile-agency-rethinking-consent-through-emb/</guid><description>&lt;p&gt;Workshop Semmelweisklinik Centre for Arts and Culture, Vienna Austria This hands-on workshop explores the ethical, emotional and sensory dimensions of AI-driven human-machine interaction. Participants will engage with simple AI models and DIY touch-responsive interfaces using Arduino and open-source machine learning tools to examine how consent, agency and embodiment can be both problematic and reimagined within technological systems. By building interactive prototypes and experimenting with real-time feedback, the workshop invites critical reflection on intimacy, power and the politics of touch in today’s technosphere. Beginners are also welcome; no prior experience is required.&lt;/p&gt;</description></item><item><title>Yasemin Engin, Patrícia J. Reis, Chucky Schuster, Maja Smrekar</title><link>https://patriciajreis.com/news/yasemin-engin-patrcia-j-reis-chucky-schuster/</link><pubDate>Fri, 23 May 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/yasemin-engin-patrcia-j-reis-chucky-schuster/</guid><description>&lt;p&gt;Deep Skin Opening:&lt;/p&gt;&#10;&lt;p&gt;NODE Media Lab &lt;a href="https://2025.independentspaceindex.at/spaces/node-media-lab"&gt;ORF Funkhaus, Studio A220, Argentinierstraße 30A, 1040 Vienna&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;“Deep Skin” invites viewers to explore the intimate relationship between physical form, psychological experience and the permeable boundaries between skin, body, human, and non-human. Through immersive, tactile, and multimedia installations, the works by Yasemin Engin, Patrícia J. Reis, Chucky Schuster, and Maja Smrekar open up new dimensions of bodily and emotional awareness. Each piece reflects on how physical surfaces and unseen forces shape identity, interaction, and connection.The exhibition features both emerging and established women artists, showcasing a diverse array of works, including AI-driven installations, interactive media, and video art. By bringing together talents from Vienna and beyond, we promote intercultural exchange that expands the boundaries of digital expression. This collaboration aims to inspire audiences to explore the evolving intersections of creativity and innovation.&lt;/p&gt;</description></item><item><title>Herstories of Feminist Hacking with Mz* Baltazar's Lab, Lale Rodgarkia-Dara, Patrícia J. Reis and Stefanie Wuschitz</title><link>https://patriciajreis.com/news/herstories-of-feminist-hacking-with-mz-baltaz/</link><pubDate>Thu, 22 May 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/herstories-of-feminist-hacking-with-mz-baltaz/</guid><description>&lt;p&gt;Kunsthalle Wien within the framework of the exhibition &amp;ldquo;Radical Software: Women, Art &amp;amp; Computing 1960-1991 Kunsthalle Wien, Museumsquartier, Vienna&lt;/p&gt;</description></item><item><title>18.10. to19.10.2024</title><link>https://patriciajreis.com/news/1810-to19102024/</link><pubDate>Sat, 19 Oct 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/1810-to19102024/</guid><description>&lt;p&gt;&lt;a href="https://www.eina.cat/en/blog/intra-action-intra-sectional-approach-design-possible-probable-and-preferable-futures"&gt;INTRA-ACCION international Symposium&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;Barcelona, Spain&lt;/p&gt;</description></item><item><title>1.10.2024, 19h</title><link>https://patriciajreis.com/news/1102024-19h/</link><pubDate>Tue, 01 Oct 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/1102024-19h/</guid><description>&lt;p&gt;MAK Wien Museum für angewandte Kunst Stubenring 5, 1010 Wien, AT Conversation Piece: Eco-Feminist Decolonial Hardware with Patrícia J. Reis and Stefanie Wuschitz &lt;em&gt;Clay PCB&lt;/em&gt; , an artistic work by Patrícia J. Reis and Stefanie Wuschitz. Their work raises important questions regarding ecofeminism, contemporary design, and the use of technology and its raw materials.&lt;/p&gt;</description></item><item><title>Noise Festival</title><link>https://patriciajreis.com/news/noise-festival/</link><pubDate>Tue, 01 Oct 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/noise-festival/</guid><description>&lt;p&gt;Fotogalerie Palais Festetics Berggasse 16, 1090 Vienna 12-15 September&lt;/p&gt;</description></item><item><title>S+T+ARTS Prize by Ars Electronica</title><link>https://patriciajreis.com/news/starts-prize-by-ars-electronica/</link><pubDate>Tue, 01 Oct 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/starts-prize-by-ars-electronica/</guid><description>&lt;p&gt;4-8 September Post City, Linz We are delighted to announce that we have been awarded the Nomination Prize in this year&amp;rsquo;s S+T+ARTS Prize by Ars Electronica. Our project,&lt;/p&gt;&#10;&lt;p&gt;&lt;a href="https://ars.electronica.art/starts-prize/en/clay-pcb/"&gt;&amp;ldquo;Clay PCB: Eco-Feminist Decolonial Hardware,&amp;rdquo;&lt;/a&gt;&#10; is a key artistic outcome of our PEEK Project (AR580) &lt;a href="https://www.akbild.ac.at/en/research/projects/research_projects/2020/feminist-hacking-building-circuits-as-an-artistic-practice"&gt;&amp;ldquo;Feminist Hacking: Building Circuits as an Artistic Practice&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>Ethical Hardware Workshop at PIF</title><link>https://patriciajreis.com/news/ethical-hardware-workshop-at-pif/</link><pubDate>Tue, 01 Oct 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/ethical-hardware-workshop-at-pif/</guid><description>&lt;p&gt;Summer Hacking Camp &lt;a href="https://pif.camp/ethical-hardware-workshop-at-pif/"&gt;PIF Camp&lt;/a&gt;&#10; Soča, Slovenia 29.7. to 3.8.&lt;/p&gt;&#10;&lt;p&gt;It is an open secret that the hardware in our smart devices contains not only plastics but also conflict minerals such as tungsten, tin, tantalum, silver, and gold. Hence, technology is not neutral. In this workshop, we investigate alternative hardware made from locally sourced materials, known as ethical hardware, to develop and speculate upon renewable practices for the benefit of both nature and humans.&lt;/p&gt;</description></item><item><title>26.6. to Sat, 29.6.</title><link>https://patriciajreis.com/news/266-to-sat-296/</link><pubDate>Tue, 01 Oct 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/266-to-sat-296/</guid><description>&lt;p&gt;Feminist Hardware Clay PCB: Action Donau Island 11h a.m. to 9h p.m.&lt;/p&gt;&#10;&lt;p&gt;Place GCP (ehem. PSK) 1st floor, Raum 124 Georg-Coch-Platz 2, 1010 Wien &lt;a href="https://www.google.com/maps/place/Georg-Coch-Platz&amp;#43;2,&amp;#43;1010&amp;#43;Wien/@48.2100147,16.3704507,15z/data=!3m1!4b1!4m6!3m5!1s0x476d070abc801edf:0x1904f2dc4dea4af2!8m2!3d48.2100152!4d16.380729!16s%2Fg%2F11bw3y3wy4?entry=ttu"&gt;Open in maps +&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;&lt;a href="https://www.angewandtefestival.at/en/2024/beitraege/feminist-hardware-clay-pcb-action-donau-island/"&gt;Department Digital Arts&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>PIRATE CULTURES: Unter dem Asphalt der Strand</title><link>https://patriciajreis.com/news/pirate-cultures-unter-dem-asphalt-der-strand/</link><pubDate>Thu, 16 May 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/pirate-cultures-unter-dem-asphalt-der-strand/</guid><description>&lt;p&gt;Semmelweisklinik, Hockegasse 37 / Haus 4, 1180 Vienna 8. – , Vernissage: 8.05., 18h Together with actors from Mz* Baltazar&amp;rsquo;s Laboratory, RAD Performance, Kollektiv Raumstation, Friends &amp;amp; Partners in Crime, the artist collective Sandkasten Syndikat brings a pirate beach to Vienna.&lt;/p&gt;</description></item><item><title>AMRO24</title><link>https://patriciajreis.com/news/amro24/</link><pubDate>Thu, 16 May 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/amro24/</guid><description>&lt;p&gt;afo – architekturforum oberösterreic Linz, Austria Opening Hours: May 8th – 17th Wednesday – Friday, 3 – 6 pm or individual appointments with:&lt;/p&gt;&#10;&lt;p&gt;Sanela Jahić, Nicolas Gourault, Stadtwerkstatt: STWST, Murad Khan, Martin Disley, joak, Dasha Ilina, REINCANTAMENTO, Javaneh, Patrícia J. Reis, Stefanie Wuschitz, Marina Gržinić, Tjaša Kancler, Jovita Pristovšek&lt;/p&gt;</description></item><item><title>Neu Galerie Graz07.05.2024, 19h30Performance/ soun</title><link>https://patriciajreis.com/news/neu-galerie-graz07052024-19h30performance-sou/</link><pubDate>Tue, 07 May 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/neu-galerie-graz07052024-19h30performance-sou/</guid><description>&lt;p&gt;&lt;a href="https://www.museum-joanneum.at/neue-galerie-graz/unser-programm/ausstellungen/event/guenter-brus-9"&gt;Neu Galerie Graz&lt;/a&gt;&#10; Performance/ sound installation &amp;ldquo;About Clouds and Clocks&amp;rdquo; by Dora Deliyska and Patricia J. Reis&lt;/p&gt;</description></item><item><title>Pirate Cultures &amp; Plunder Sonics: MAYDAY!</title><link>https://patriciajreis.com/news/pirate-cultures-plunder-sonics-mayday/</link><pubDate>Wed, 01 May 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/pirate-cultures-plunder-sonics-mayday/</guid><description>&lt;p&gt;FLUCC, Praterstern 5 On May 1 st , the artist collective Sandkasten Syndikat hijacks the &amp;lsquo;Kulturdampfer&amp;rsquo; at Praterstern and sends out an emergency signal to allied cultural workers: MAYDAY!&lt;/p&gt;&#10;&lt;p&gt;Together with actors from Mz* Baltazar&amp;rsquo;s Laboratory, Kollektiv Raumstation, RAD Performance and friends, we are looking for critical-creative answers to precarious living and working conditions. The exhibition revolves around topics of re-appropriation, hijacking and hacking, DIY cultures, commoning, care and the (technology-enabled) self-organization of solidarity networks.&lt;/p&gt;</description></item><item><title>Patrícia J. Reis: »Hacking the body as a black box«</title><link>https://patriciajreis.com/news/patrcia-j-reis-hacking-the-body-as-a-black-bo/</link><pubDate>Mon, 11 Mar 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/patrcia-j-reis-hacking-the-body-as-a-black-bo/</guid><description>&lt;p&gt;Artist Lecture Neue Wiener Gruppe/Lacan-Schule Die Niederösterreich Vinothek Piaristengasse 35, 1080 Wien&lt;/p&gt;</description></item><item><title>Unabridged - Sound Installation with interpretation from</title><link>https://patriciajreis.com/news/unabridged-sound-installation-with-interpreta/</link><pubDate>Fri, 09 Feb 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/unabridged-sound-installation-with-interpreta/</guid><description>&lt;p&gt;&lt;strong&gt;György Ligestis &amp;ldquo;Poème Symphonique for 100 metronomes&amp;rdquo;&lt;/strong&gt; A collaboration project by Dora Deliyska and Patrícia J. Reis KÜNSTLERHAUS FACTORY Karlsplatz 5, 1010 Wien 9.2.2024 - 11.2.2024 Opening 9.2.2024, 18h30 Performances:&lt;/p&gt;</description></item><item><title>PATRICIA J. REIS, Digital Skin</title><link>https://patriciajreis.com/news/patricia-j-reis-digital-skin/</link><pubDate>Wed, 10 Jan 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/patricia-j-reis-digital-skin/</guid><description>&lt;p&gt;Opening:&lt;/p&gt;&#10;&lt;ol start="20"&gt;&#10;&lt;li&gt;&#10;&lt;ol&gt;&#10;&lt;li&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;15.2.2024 StudioOne Café Zeit, P.° Almte. Montt 658, Cerro Alegre, Valparaíso, Chile&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;/li&gt;&#10;&lt;/ol&gt;&#10;&lt;/li&gt;&#10;&lt;/ol&gt;</description></item><item><title>“ Love's Modern Nature”</title><link>https://patriciajreis.com/news/loves-modern-nature/</link><pubDate>Mon, 15 Jan 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/loves-modern-nature/</guid><description>&lt;p&gt;Exhibition:&lt;/p&gt;&#10;&lt;p&gt;Patrícia J. Reis, Agata Nowosielska Curator: Anna Ciabach 15.01.2024 - 16.02.2024 Opening:&lt;/p&gt;&#10;&lt;p&gt;15.01.2024, 7h p.m Austrian Cultural Forum ul. Próżna 7/9 Warszawa The latest exhibition at the Austrian Cultural Forum is a meeting between two artists: Patricia J. Reis from Portugal, who lives in Vienna, and Agata Nowosielska from Gdansk.&lt;/p&gt;</description></item><item><title>SOS 2.0_ FÜRSORGE IST DIE SCHWESTER DER AUTONOMIE VON MZ* BALTAZAR’S LAB IN DER MEDIENWERKSTATT WIEN</title><link>https://patriciajreis.com/news/sos-20-frsorge-ist-die-schwester-der-autonomi/</link><pubDate>Wed, 13 Dec 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/sos-20-frsorge-ist-die-schwester-der-autonomi/</guid><description>&lt;p&gt;SOS 2.0_ FÜRSORGE IST DIE SCHWESTER DER AUTONOMIE VON MZ* BALTAZAR’S LAB IN DER MEDIENWERKSTATT WIEN &lt;strong&gt;SOS 2.0_&lt;/strong&gt; &lt;strong&gt;Fürsorge ist die Schwester der Autonomie&lt;/strong&gt; &lt;strong&gt;Eine Ausstellung von Mz*Baltazar’s Lab&lt;/strong&gt; &lt;strong&gt;(Olivia Jaques, Patricia J. Reis, Lale Rodgarkia-Dara, Nicole Sabella, Anna Watzinger und Stefanie Wuschitz)&lt;/strong&gt; &lt;strong&gt;in der Medienwerkstatt Wien&lt;/strong&gt; &lt;strong&gt;Medienwerkstatt:&lt;/strong&gt; Neubaugasse 40a, 1070 Wien &lt;strong&gt;Eröffnung:&lt;/strong&gt; Mittwoch &lt;strong&gt;Ausstellungsdauer:&lt;/strong&gt; 13.12.2023 - 21.12.2023 und 09.01.2024 - 23.01.2024 &lt;strong&gt;Öffnungszeiten:&lt;/strong&gt; Di – Fr 17h - 20h Finissage: Dienstag 23.01.2024, 19h Wir danken den folgenden Künstler&lt;em&gt;innen für die Zusammenarbeit mit dem Mz&lt;/em&gt; Baltazar’s Lab im Rahmen der Ausstellungsproduktion: Catarina Reis, Erika Farina, Taguhi Torosyan und der Medienwerkstatt Wien!&lt;/p&gt;</description></item><item><title>XVI International Ceramics Biennale of Aveiro</title><link>https://patriciajreis.com/news/xvi-international-ceramics-biennale-of-aveiro/</link><pubDate>Fri, 27 Oct 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/xvi-international-ceramics-biennale-of-aveiro/</guid><description>&lt;p&gt;Exhibition Opening and Performance 29.10.2023, 11h30 + 17h30 Exhibition duration:&lt;/p&gt;&#10;&lt;p&gt;28.10.2023 - 28.01.2023 Atlas - Biblioteca Municipal de Aveiro 1st floor Salon of Open Secrets Interactive Sound Installation/ Performance:&lt;/p&gt;&#10;&lt;p&gt;&amp;ldquo;The Coffee Table&amp;rdquo; [video width=&amp;ldquo;1280&amp;rdquo; height=&amp;ldquo;720&amp;rdquo; mp4=&amp;ldquo;https://old.patriciajreis.com/wp-content/uploads/2023/10/sos_short_video_2.mp4&amp;rdquo;][/video]&lt;/p&gt;</description></item><item><title>WHAT’S LOVE GOT TO DO WITH IT?</title><link>https://patriciajreis.com/news/whats-love-got-to-do-with-it/</link><pubDate>Sat, 30 Sep 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/whats-love-got-to-do-with-it/</guid><description>&lt;p&gt;by Steffi Alte, Saskia Te Nicklin &amp;amp; Patrícia J. Reis &lt;a href="https://www.mzbaltazarslaboratory.org/event/whats-love-got-to-do-with-it-by-steffi-alte-saskia-te-nicklin-patricia-j-reis/"&gt;Mz* Baltazar&amp;rsquo;s Lab&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;Opening: 29 Sep 2023, 19h Midd opening: 14 Oct 2023, 19h Finissage: 3 Nov 2023, 19h&lt;/p&gt;</description></item><item><title>MUD-GROUP#3: WHO HAS LAND TO MAKE A FIRE?</title><link>https://patriciajreis.com/news/mud-group3-who-has-land-to-make-a-fire/</link><pubDate>Sat, 30 Sep 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/mud-group3-who-has-land-to-make-a-fire/</guid><description>&lt;p&gt;&lt;strong&gt;Patrícia J. Reis, Celiné Struger &amp;amp; Kristin Weissenberger&lt;/strong&gt; &lt;a href="https://www.galerie3.com/exhibitions/50212/gute-mi-ne-boeses-spiel/about/"&gt;Galerie3 Klagenfurt&lt;/a&gt;&#10; Im Lichthof 23 Sep – 28 Oct 2023 Opening:&lt;/p&gt;&#10;&lt;p&gt;&lt;strong&gt;22. Sep 2023 - 19h&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>Date |18.10.2023 - 20.10.2023</title><link>https://patriciajreis.com/news/date-18102023-20102023/</link><pubDate>Wed, 18 Oct 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/date-18102023-20102023/</guid><description>&lt;p&gt;Feminist Hardware: Making Printed Circuit Boards with Natural Clay by Patrícia J. Reis &amp;amp; Stefanie Wuschitz at Hangar Barcelona Venue | Hangar, Barcelona It is an open secret that the hardware in our smart devices contains not only plastics but also conflict minerals such as tungsten, tin, tantalum, silver and gold. Hence, technology is not neutral. In this workshop, given by Patrícia J. Reis (PT/AT) &amp;amp; Stefanie Wuschitz (AT), we investigate alternative hardware from locally sourced materials, so-called ethical hardware, to develop and speculate upon renewable practices for the benefit of both nature and humans.&lt;/p&gt;</description></item><item><title>DIGITAL II Sensorik</title><link>https://patriciajreis.com/news/digital-ii-sensorik/</link><pubDate>Wed, 18 Oct 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/digital-ii-sensorik/</guid><description>&lt;p&gt;MARTIN KUSCH ERNST LIMA JULIE MONACO PATRÍCIA J. REIS FOTOGALERIE WIEN ON TOUR! Opening: Monday, 24. April 2023, 19h Medienwerkstatt, Wien Neubaugasse 40a, 1070 Wien &lt;a href="https://www.medienwerkstatt-wien.at"&gt;www.medienwerkstatt-wien.at&lt;/a&gt;&#10; Opening times: Tuesday–Friday 17h - 20h Exhibition duration: 25. April–26. May 2023&lt;/p&gt;</description></item><item><title>MUD-GROUP#3: WHO HAS LAND TO MAKE A FIRE?</title><link>https://patriciajreis.com/news/mud-group3-who-has-land-to-make-a-fire-2/</link><pubDate>Fri, 10 Mar 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/mud-group3-who-has-land-to-make-a-fire-2/</guid><description>&lt;p&gt;&lt;a href="https://www.mzbaltazarslaboratory.org/mud-group3-who-has-land-to-make-a-fire/"&gt;MUD-GROUP#3: WHO HAS LAND TO MAKE A FIRE?&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;A COLLABORATIVE PROJECT BY CELINE STRUGER, KRISTIN WEISSENBERGER &amp;amp; PATRÍCIA J. REIS OPENING:&lt;/p&gt;&#10;&lt;p&gt;FINISSAGE:&lt;/p&gt;&#10;&lt;p&gt;21.04.2023, 19h - 22h EXHIBITION DURATION: 11.3 — 21.4.2023 OPENING HOURS: Every Saturday from 12h - 17h Mz* Baltazar’s Lab Jägerstraße 52-56 1200 Wien&lt;/p&gt;</description></item><item><title>Salon of Open Secrets</title><link>https://patriciajreis.com/news/salon-of-open-secrets/</link><pubDate>Thu, 15 Sep 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/salon-of-open-secrets/</guid><description>&lt;p&gt;Kunstraum pro arte Hallein, Salzburg, Austria&lt;/p&gt;</description></item><item><title>RGB EXPIRA: 2022</title><link>https://patriciajreis.com/news/rgb-expira-2022/</link><pubDate>Fri, 29 Jul 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/rgb-expira-2022/</guid><description>&lt;p&gt;Castelo e Paço dos Condes Ourém, Portugal Curator: Carlos Veríssimo&lt;/p&gt;</description></item><item><title>Participation at 14 Bienal La Habana, Cubahttps://</title><link>https://patriciajreis.com/news/participation-at-14-bienal-la-habana-cubahttp/</link><pubDate>Fri, 29 Jul 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/participation-at-14-bienal-la-habana-cubahttp/</guid><description>&lt;p&gt;Participation at 14 Bienal La Habana, Cuba &lt;a href="https://fb.watch/ff1ca0hBOz/"&gt;https://fb.watch/ff1ca0hBOz/&lt;/a&gt;&#10; &lt;a href="http://cubarte.cult.cu/blog-cubarte/regreso-al-porvenir-propuesta-de-lujo-de-la-14-bienal-de-la-habana/"&gt;http://cubarte.cult.cu/blog-cubarte/regreso-al-porvenir-propuesta-de-lujo-de-la-14-bienal-de-la-habana/&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>19.01.2022-IMPROPER EXPLORINGWORKSHOP: Fair Acupun</title><link>https://patriciajreis.com/news/19012022-improper-exploringworkshop-fair-acup/</link><pubDate>Wed, 19 Jan 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/19012022-improper-exploringworkshop-fair-acup/</guid><description>&lt;ul&gt;&#10;&lt;li&gt;IMPROPER EXPLORING WORKSHOP: Fair Acupuncture sonification by Mz* Baltazar’s Laboratory Registration is necessary, only 10 spots are available! LINK IN BIO.&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;p&gt;Fair Acupuncture sonification Join Mz* Baltazar’s Laboratory (Patrícia J. Reis &amp;amp; Stefanie Wuschitz) and build a device to sonify your most active acupuncture spots on the surface of your skin (no needles involved). You can later connect the input from your acupuncture points to Pure Data. For more sophisticated sounds and more detailed findings on how the environment changes your body we will build several prototypes of instruments. This workshop is trying to use only hardware that was created under fair labour conditions. Without harming the environment and avoiding commodity chains connected to mining. This can work if we use fair trade certified electronic components, self made and recycled electronic parts and explore the capacitive quality and resistance of our own body.&lt;/p&gt;</description></item><item><title>::KAIROS. Recall of Earth</title><link>https://patriciajreis.com/news/kairos-recall-of-earth/</link><pubDate>Wed, 19 Jan 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/kairos-recall-of-earth/</guid><description>&lt;p&gt;Group Show KAIROS. Recall of Earth at AIL, Vienna, Austria.&lt;/p&gt;&#10;&lt;p&gt;EXHIBITION Opening: 11 Nov 2021, 18h Running: 12 Nov 2021 – 21 Jan 2022 An exhibition about the relationship between humans and the phenomena of natural events. Curated by Sophia Panteliadou Vernissage: 11 Nov, 18h - 22h Registration required: &lt;a href="mailto:info@ailab.at"&gt;info@ailab.at&lt;/a&gt;&#10; Closed: 18 Dec 2021 – 9 Jan 2022 Opening hours Mon – Fri 12h - 18h Thu 12h - 19h Sat, Sun, Public holidays closed 19/20 Nov 2021 &lt;a href="https://www.angewandteinnovationlab.at/program/-kairos-recall-of-earth-02"&gt;Accompanying Symposium&lt;/a&gt;&#10; &lt;a href="https://old.patriciajreis.com/wp-content/uploads/2021/10/Kairos_Plakat_final.pdf"&gt;Kairos_Plakat_final&lt;/a&gt;&#10; &lt;a href="https://old.patriciajreis.com/wp-content/uploads/2021/10/KairosFlyer_pdf_invite.pdf"&gt;KairosFlyer_pdf_invite&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>FusoLab- Body Sonification // Workshop</title><link>https://patriciajreis.com/news/fusolab-body-sonification-workshop/</link><pubDate>Mon, 27 Dec 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/fusolab-body-sonification-workshop/</guid><description>&lt;p&gt;DIGICULT TRAVEL DIARY 1 METER UNDER THE METRO by GIADA TOTARO ARTARTICLES &lt;a href="https://www.fusolab.net/"&gt;FusoLab&lt;/a&gt;&#10; - Body Sonification // Workshop SATURDAY, 11 DECEMBER-10AM-14PM Rome, Italy&lt;/p&gt;</description></item><item><title>MOSTRA DIFFUSA DI ARTE INTERATTIVA METROPOLITANA</title><link>https://patriciajreis.com/news/mostra-diffusa-di-arte-interattiva-metropolit/</link><pubDate>Fri, 10 Dec 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/mostra-diffusa-di-arte-interattiva-metropolit/</guid><description>&lt;ul&gt;&#10;&lt;li&gt;Rome, Italy La seconda edizione del festival che porta l&amp;rsquo;arte interattiva digitale nelle fermate della metro C&lt;/li&gt;&#10;&lt;/ul&gt;</description></item><item><title>Ferdinand Doblhammer / Kilian Hanappi / Tom Hochwallner / Margarete Jahrmann / kondition pluriel / Litto/Daniela Weiss / Patrícia J. Reis / Ruth Schnell / Patryk Senwicki</title><link>https://patriciajreis.com/news/ferdinand-doblhammer-kilian-hanappi-tom-hochw/</link><pubDate>Fri, 05 Nov 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/ferdinand-doblhammer-kilian-hanappi-tom-hochw/</guid><description>&lt;p&gt;Group Show at &lt;a href="http://www.medienwerkstatt-wien.at/"&gt;medienwerkstatt&lt;/a&gt;&#10; during the Vienna Art Week, Austria.&lt;/p&gt;&#10;&lt;p&gt;In the Kitchen Visionen der Medienkunst 10 &lt;strong&gt;Eröffnung: Freitag05.11.2021, 19hUhr&lt;/strong&gt; &lt;strong&gt;Ausstellungsdauer 05.11.2021 - 22.11.2021MO/FR/SA 14h - 18h UhrMedienwerkstatt Wien, Neubaugasse 40a, 1070 Wien&lt;/strong&gt; In Kooperation mit FLUSS - NÖ.Initiative für Foto- und Medienkunst TALK &amp;ldquo;CITIZENS AND CITIES – WHAT LIES AROUND THE CORNER? TALK &amp;ldquo;CITIZENS AND CITIES – WHAT LIES AROUND THE CORNER? with Pedro Costa, Associate Professor at ISCTE, Tracy Geragthy, Project Manager at Dublin City Council Culture Company, Jordi Baltá, Consultant at Projects Barcelona.&lt;/p&gt;</description></item><item><title>Solo Show in collaboration with Carla Cabanas "From object to affect: proposals for future archives after the media" at Criatech 2021, Aveiro, Portugal.</title><link>https://patriciajreis.com/news/solo-show-in-collaboration-with-carla-cabanas/</link><pubDate>Wed, 03 Nov 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/solo-show-in-collaboration-with-carla-cabanas/</guid><description>&lt;p&gt;Museu de Aveiro/Santa Joana October 11-16 Day 11:&lt;/p&gt;&#10;&lt;p&gt;1h30 pm – 6h00 pm Day 12 to 13:&lt;/p&gt;&#10;&lt;p&gt;10h00 am – 12h30 pm / 1h30 pm – 6h00 pm Days 15 a 16:&lt;/p&gt;</description></item><item><title>Update 2 on IMPACT ART AT:</title><link>https://patriciajreis.com/news/update-2-on-impact-art-at/</link><pubDate>Wed, 03 Nov 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/update-2-on-impact-art-at/</guid><description>&lt;p&gt;After 5 weeks intensive work, it is time to say goodbye; There are no words to describe how grateful and fulfilled I feel after these five weeks of exchange, working together with the San Francisco Bay artists — Stephanie, Jenny, Sharmi, Erik, Marlys, Avital, and Parul. It has been a great pleasure to meet and work with them despite the approximate 6000 miles of physical distance between Vienna and the Bay Area; I have the odd and delightful feeling that I&amp;rsquo;ve actually met them in person. Check out our&lt;/p&gt;</description></item><item><title>Very proud to be part of thePOM:: Politics of the</title><link>https://patriciajreis.com/news/very-proud-to-be-part-of-thepom-politics-of-t/</link><pubDate>Fri, 17 Sep 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/very-proud-to-be-part-of-thepom-politics-of-t/</guid><description>&lt;p&gt;Very proud to be part of the &lt;a href="https://www.pomconference.org/pom-berlin-2021-overview/#program"&gt;POM:: Politics of the Machine&lt;/a&gt;&#10; Berlin 2021 as the track chair of Interferences of Multitude. Follow us on Zoom - Room B from 11h - 13h — 15,16, and &lt;a href="https://youtu.be/7y1eciQ4CLk"&gt;https://youtu.be/7y1eciQ4CLk&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>Artist lecture at ARS ELECTRONICA in the framework of the program Impact Art</title><link>https://patriciajreis.com/news/artist-lecture-atars-electronicain-the-framew/</link><pubDate>Fri, 17 Sep 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/artist-lecture-atars-electronicain-the-framew/</guid><description>&lt;p&gt;Artist lecture at &lt;a href="https://ars.electronica.art/newdigitaldeal/en/impact-art-at-artist-talk%e2%80%af/"&gt;ARS ELECTRONICA&lt;/a&gt;&#10; in the framework of the program Impact Art.&lt;/p&gt;</description></item><item><title>zero1_art</title><link>https://patriciajreis.com/news/zero1-art/</link><pubDate>Thu, 26 Aug 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/zero1-art/</guid><description>&lt;p&gt;Calling all Bay Area creatives (and the creatively curious)! The participant open call deadline for Impact Art AT is TOMORROW. Learn from and work with artist Patrícia J. Reis (&lt;/p&gt;&#10;&lt;p&gt;&lt;a href="https://www.instagram.com/patricia.joao.reis/"&gt;@patricia.joao.reis&lt;/a&gt;&#10; ) in a series of virtual workshops and project development sessions to unravel and augment the way we perceive truth through the lens of feminist hacking strategies.&lt;/p&gt;</description></item><item><title>“The Medusa v. The Odalisque” ***</title><link>https://patriciajreis.com/news/the-medusa-v-the-odalisque/</link><pubDate>Fri, 20 Aug 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/the-medusa-v-the-odalisque/</guid><description>&lt;p&gt;A collaboration between Dorota Walentynowicz &amp;amp; Patrícia J. Reis &lt;a href="https://www.mzbaltazarslaboratory.org/"&gt;Mz* Baltazar&amp;rsquo;s Laboratory&lt;/a&gt;&#10; Jägerstraße 52-54, 1200 Wien, Österreich Opening: 30th July, 18h - 22h The exhibition will be open for visitors between 31.07 and by appointment: &lt;a href="mailto:patricia.reis@mzbaltazarslaboratory.org"&gt;patricia.reis@mzbaltazarslaboratory.org&lt;/a&gt;&#10; *** “The Medusa v. The Odalisque” - B.S. Latrodectus Mactans Productions. Uncredited cast; zone-plating laser holography by James O. Incadenza and Urquhart Ogilvie, Jr.; holographic fight choreography by Kenjiru Hirota courtesy of Sony Entertainment-Asia; 78 mm; 29 minutes; black and white; silent w/ audience-noises appropriated from network broadcast television. Mobile holograms of two visually lethal mythologic females duel with reflective surfaces onstage while a live crowd of spectators turn to stone. LIMITED CELLULOID RUN; PRIVATELY RE-RELEASED ON MAGNETIC VIDEO BY LATRODECTUS MACTANS PRODUCTIONS&lt;/p&gt;</description></item><item><title>CULTURE and TECHNOLOGY: COGNITION AND THE COMMON</title><link>https://patriciajreis.com/news/culture-and-technology-cognition-and-the-comm/</link><pubDate>Thu, 20 May 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/culture-and-technology-cognition-and-the-comm/</guid><description>&lt;p&gt;Organised by the Master Students in Cultural Management of the &lt;a href="https://www.ipleiria.pt/esadcr/2021/04/13/mgc-talks/"&gt;ESAD.CR, PT&lt;/a&gt;&#10; - 19h &amp;gt; 23h [ONLINE] &lt;a href="https://videoconf-colibri.zoom.us/j/85059542857?pwd=U1hhYzVLM2V6WWtjUnZEWVBQMzhvZz09"&gt;https://videoconf-colibri.zoom.us/j/85059542857?pwd=U1hhYzVLM2V6WWtjUnZEWVBQMzhvZz09&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;&lt;strong&gt;Culture and technology: cognition and the common&lt;/strong&gt; Peter Hanenberg &amp;lt; UCP Universidade Católica Portuguesa Christian Nold &amp;lt; Softhook Patrícia J. Reis &amp;lt; UAK (Viena, Áustria) / KL (Linz, Áustria) &lt;strong&gt;Soundscape&lt;/strong&gt; Simon James Philips &lt;strong&gt;Moderation&lt;/strong&gt; Marta Jecu e Mário Caeiro&lt;/p&gt;</description></item><item><title>Symposium Sharing and Responding</title><link>https://patriciajreis.com/news/symposium-sharing-and-responding/</link><pubDate>Fri, 23 Apr 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/symposium-sharing-and-responding/</guid><description>&lt;p&gt;with the framework of the exhibition &lt;a href="https://kunsthallewien.at/en/event/sharing-and-responding-2/"&gt;Cybernetics of the Poor&lt;/a&gt;&#10; at the Kunsthalle Wien 12h - 15h [online] Please pre-register by April 22 at &lt;a href="mailto:sharingandresponding@akbild.ac.at"&gt;sharingandresponding@akbild.ac.at&lt;/a&gt;&#10; The event series &lt;em&gt;Sharing and Responding&lt;/em&gt; is a cooperation between the &lt;a href="https://www.akbild.ac.at/Portal/akbild_startpage"&gt;Academy of Fine Arts Vienna&lt;/a&gt;&#10; and Kunsthalle Wien &lt;em&gt;&lt;em&gt;Patrícia J. Reis, Stefanie Wuschitz — Mz&lt;/em&gt; Baltazar’s Laboratory&lt;/em&gt;* Our feminist hackerspace — Mz* Baltazar’s Laboratory — allows for the luxury of time shared within its female* members, quality time to consider non-intuitive complexities and their impact on our personal lives. As an alternative to the (up until now) not conquered utopian dream of a non-binary cyberspace, we offer a safer physical space in which we do not have to consume, do not have to deliver and do not have to make sense of the complexity of things right away. It allows for a liberated feminist hacking practice and to speculate about future realities that can be shaped in (cyber)space.&lt;/p&gt;</description></item><item><title>PLUS DESIGN WEEK 20/21 – 2ºs.</title><link>https://patriciajreis.com/news/plus-design-week-2021-2s/</link><pubDate>Fri, 23 Apr 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/plus-design-week-2021-2s/</guid><description>&lt;p&gt;&lt;strong&gt;IN//OUT//NACIONAL&lt;/strong&gt; ISMAT, Algarve, Portugal Dia &lt;strong&gt;14 de Abril&lt;/strong&gt; – inicio às 18h Patrícia Reis Artista Multidisciplinar OPEN ONLINE//VIA ZOOM &lt;a href="https://zoom.us/j/94140883807?fbclid=IwAR1yh5nnAjkpmfV6VWcEDwgVTMCpVblELstw_iRdqi1wpxzWnkSzlCnvlqc"&gt;https://zoom.us/j/94140883807&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;Sobre:&lt;/p&gt;&#10;&lt;p&gt;Esta ano letivo, temos os primeiros licenciados a sair para o mercado com o renovado plano de estudos da Licenciatura de Design de Comunicação e nada melhor do que lhes transmitir o quanto o mundo é DINÂMICO!&lt;/p&gt;</description></item><item><title>Happy to be featured at SAR 12 by Mette Riise video on artistic research: 20h - 20h30</title><link>https://patriciajreis.com/news/happy-to-be-featured-at-sar-12-by-mette-riise/</link><pubDate>Fri, 23 Apr 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/happy-to-be-featured-at-sar-12-by-mette-riise/</guid><description>&lt;p&gt;&lt;a href="https://www.sar2021vienna.ac.at/"&gt;Care Share Dare12TH INTERNATIONAL CONFERENCE ON ARTISTIC RESEARCH&lt;/a&gt;&#10; Evening Programme ACADEMY OF FINE ARTS VIENNA FIGHTING HIERARCHIES (IN LUXURIOUS ENVIRONMENTS)&lt;/p&gt;</description></item><item><title>Interactive Workshop: Exploring Critical Making</title><link>https://patriciajreis.com/news/interactive-workshop-exploring-critical-makin/</link><pubDate>Thu, 25 Mar 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/interactive-workshop-exploring-critical-makin/</guid><description>&lt;p&gt;Join our kick-off &lt;strong&gt;Interactive Workshop: Exploring Critical Making on25.3.2021!&lt;/strong&gt; We will host a conversation with experts of experimental research approaches and makers on how they are using new, different, hands-on research methods to shape the maker community in a more inclusive. Our Webinar will be host on our partner&amp;rsquo;s social media.&lt;/p&gt;</description></item><item><title>Happy to have been mentioned on Cornelia's Solfrank lecture about creating commons!</title><link>https://patriciajreis.com/news/happy-to-have-been-mentioned-on-cornelias-sol/</link><pubDate>Sat, 13 Mar 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/happy-to-have-been-mentioned-on-cornelias-sol/</guid><description>&lt;p&gt;Variations of Gender and Technology Trouble by Cornelia Sollfrank Technofeminism is based on two basic assumptions: 1) technology is not neutral and 2) technology is a highly gendered field. These presuppositions open up a field of questions, problems and related practices. Based on selected positions in theory and practice, the talk exemplifies some of the tensions and openings from which to rethink ways of encountering the current technopolitical crisis. Commoning here serves as a framework for the process of vision and implementation, of experimentation and evaluation, of responding to the contemporary condition by creating new forms, formats and formations and questioning them again.&lt;/p&gt;</description></item><item><title>SALON OF OPEN SECRETS - SOS: “NEW MATERIALISM, FEMINIST PRACTICES”</title><link>https://patriciajreis.com/news/salon-of-open-secrets-sos-new-materialism-fem/</link><pubDate>Wed, 10 Mar 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/salon-of-open-secrets-sos-new-materialism-fem/</guid><description>&lt;p&gt;Date | p.m.&lt;/p&gt;&#10;&lt;p&gt;Venue | Online with Karin Reisinger, Patricia J. Reis, Taguhi Torosyan, Stefanie Wuschitz, Barbara Huber and Karina Jarrett Event within the Frame of &lt;a href="https://www.akbild.ac.at/portal_en/university/activities/lectures_events/2021/resolveuid/876d6a6d160c2192e867202e1476b0ad"&gt;100 years of Admitting Women to Study at the Academy of Fine Arts Vienna&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>Very proud to be part of thefemale*artistindex Vie</title><link>https://patriciajreis.com/news/very-proud-to-be-part-of-thefemaleartistindex/</link><pubDate>Mon, 08 Mar 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/very-proud-to-be-part-of-thefemaleartistindex/</guid><description>&lt;p&gt;Very proud to be part of the &lt;a href="https://femaleartistindex.org"&gt;female*artistindex Vienna&lt;/a&gt;&#10; , a project by &lt;a href="https://www.mzbaltazarslaboratory.org/"&gt;Mz* Baltazar&amp;rsquo;s Laboratory&lt;/a&gt;&#10; , launched on the International Women Day&lt;/p&gt;</description></item><item><title>Screenshot 2 Channel Video installationThe Wishing Machine Project</title><link>https://patriciajreis.com/news/screenshot-2-channel-video-installationthe-wi/</link><pubDate>Tue, 01 Dec 2020 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/screenshot-2-channel-video-installationthe-wi/</guid><description>&lt;p&gt;ON-line Exhibition &lt;a href="https://esc.mur.at/de/projekt/adventkalender-2020"&gt;Adventkalender 2020&lt;/a&gt;&#10; Patrícia J, Reis, &lt;em&gt;The wishing machine project&lt;/em&gt; &lt;a href="https://esc.mur.at/de/projekt/cyborg-subjects"&gt;esc medien kunst labor&lt;/a&gt;&#10; Opening:&lt;/p&gt;&#10;&lt;p&gt;Duration:&lt;/p&gt;&#10;&lt;p&gt;01.12.2020 bis 24.12.2020 Screenshot 2 Channel Video installation &lt;em&gt;The Wishing Machine Project&lt;/em&gt;&lt;/p&gt;</description></item><item><title>VBKÖ</title><link>https://patriciajreis.com/news/vbk/</link><pubDate>Fri, 07 Aug 2020 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/vbk/</guid><description>&lt;p&gt;&lt;em&gt;Tale of delusion II&lt;/em&gt;&lt;/p&gt;&#10;&lt;p&gt;Opening: 7.8.2020, 18–21h&#10;Finissage: 21.8.2020, 18–21h&lt;/p&gt;&#10;&lt;p&gt;Maysedergasse 2/28 (4. Stock), 1010 Wien&#10;Opening times: Fridays 14–19h and Saturdays 14–19h&lt;/p&gt;</description></item><item><title>CYBORG SUBJECTS</title><link>https://patriciajreis.com/news/cyborg-subjects/</link><pubDate>Wed, 27 May 2020 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/cyborg-subjects/</guid><description>&lt;p&gt;&lt;a href="https://esc.mur.at/de/projekt/cyborg-subjects"&gt;esc medien kunst labor&lt;/a&gt;&#10; Graz, Austria Opening:&lt;/p&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;14h 27.05.2020 — 24.07.2020 Opening hours:&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;p&gt;Core times: Tuesday - Friday, 2 p.m. - 5 p.m. and by appointment. Closed on public holidays. Registration by phone: + 43-316-836 000; Registration by email: esc_at_mur.at&lt;/p&gt;</description></item><item><title>06.05.2020</title><link>https://patriciajreis.com/news/06052020/</link><pubDate>Wed, 06 May 2020 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/06052020/</guid><description>&lt;p&gt;CANCELED Exhibition at Re:Publica Festival Kühlhaus Berlin LUCKENWALDER STRASSE 10963 BERLIN Opening:&lt;/p&gt;</description></item><item><title>Code yourself. Basics im Programmieren: Arduino Introduction: programming and electronic introduction for the creation of interactive artworks</title><link>https://patriciajreis.com/news/code-yourself-basics-im-programmieren-arduino/</link><pubDate>Wed, 04 Mar 2020 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/code-yourself-basics-im-programmieren-arduino/</guid><description>&lt;p&gt;by Patrícia J. Reis — Mz* Baltazar’s Lab FH St. Pölten Matthias Corvinus-Straße 15 A-3100 St. Pölten, Austria &lt;strong&gt;04.03.2020- 15h - 18h h&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>Patrícia J. Reis and the Sensorial masks project</title><link>https://patriciajreis.com/news/patrcia-j-reis-and-the-sensorial-masks-projec/</link><pubDate>Thu, 13 Feb 2020 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/patrcia-j-reis-and-the-sensorial-masks-projec/</guid><description>&lt;p&gt;Artist lecture Arte + Ciencia - Instituto de Investigaciones Filosóficas - UNAM Ciudad Universitaria,C.P. 04510, Coyoacán México, D.F., Mexico &lt;strong&gt;13.02.2020- 18h&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>Group exhibition:: KAIROS RECALL OF EARTH</title><link>https://patriciajreis.com/news/group-exhibition-kairos-recall-of-earth/</link><pubDate>Thu, 28 Nov 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/group-exhibition-kairos-recall-of-earth/</guid><description>&lt;p&gt;Opening: Thu, - 8 pm MIET - Cultural Foundation of the National Bank of Greece, Thessaloniki Villa Kapantzi, Leof. Vasilissis Olgas 108, Thessaloniki, Greece 29.11.2019 - 26.01.2020 Curated by Sophia Panteliadou The word KAIROS in greek language might refer to natural phenomena (weather), however, it also might refer to temporality (time). The ambiguosity inherent to this word is the main subject of this exhibition.&lt;/p&gt;</description></item><item><title>EVOLUTIONARY BIOLOGY,GENDER and TECHNOLOGY</title><link>https://patriciajreis.com/news/evolutionary-biologygender-and-technology/</link><pubDate>Sat, 09 Nov 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/evolutionary-biologygender-and-technology/</guid><description>&lt;p&gt;LASERZURICH SALON AT WWF &lt;a href="https://www.google.com/search?client=safari&amp;amp;rls=en&amp;amp;sxsrf=ACYBGNTu3EnAUp8kdxhp2bhiecSgHDp0CA:1570701652698&amp;amp;q=wwf&amp;#43;schweiz&amp;#43;address&amp;amp;stick=H4sIAAAAAAAAAOPgE-LWT9c3LMlKKjIyNNWSzU620s_JT04syczPgzOsElNSilKLixexCpeXpykUJ2eUp2ZWKUBFAcLjUw1EAAAA&amp;amp;ludocid=13553261439260352630&amp;amp;sa=X&amp;amp;ved=2ahUKEwiLmrrQt5HlAhVpyqYKHbAYAyUQ6BMwEXoECAsQKw"&gt;Address&lt;/a&gt;&#10;&lt;/p&gt;&#10;&lt;p&gt;:&lt;/p&gt;&#10;&lt;p&gt;&lt;strong&gt;World Wildlife Fund ZURICH&lt;/strong&gt; Hohlstrasse 110, Second Floor, 8010 Zürich &lt;strong&gt;.&lt;/strong&gt; Featuring:&lt;/p&gt;&#10;&lt;p&gt;Professor Dr &lt;strong&gt;Hanna Kokko&lt;/strong&gt; (Evolutionary Biologist, University of Zurich) and Dr.&lt;/p&gt;&#10;&lt;p&gt;&lt;strong&gt;Patrícia J Reis&lt;/strong&gt; (Media Artist) &lt;strong&gt;TOGETHER THIS SCIENTIST AND ARTIST PRESENT AND CREATE A VERY LIVELY DISCUSSION ABOUT THE RELATIONAL ASPECTS OF THESE TOPICS&lt;/strong&gt;&lt;/p&gt;</description></item><item><title>Session line-up:</title><link>https://patriciajreis.com/news/session-line-up/</link><pubDate>Thu, 10 Oct 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/session-line-up/</guid><description>&lt;p&gt;Techdays 2019 &lt;a href="https://www.facebook.com/techdaysaveiro/videos/3104050516278191/"&gt;Session Art &amp;amp; Tech&lt;/a&gt;&#10; . Luis Miguel Girão (CEO, Artshare) – Moderation and Introductory . Michela Magas (Founder &amp;amp; Creative Director, Music Tech Fest) – &lt;strong&gt;Keynote Speaker&lt;/strong&gt; . Jiří Suchánek (Chief Pilot, ArtShifters . Yasuhiro Chida (Visual Artist, PRISMA) . Patrícia Reis (Visual Artist, CRIATECH)&lt;/p&gt;</description></item><item><title>Patrícia J. Reis</title><link>https://patriciajreis.com/news/patrcia-j-reis/</link><pubDate>Thu, 10 Oct 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/patrcia-j-reis/</guid><description>&lt;p&gt;Por Baixo da Pele Outra Pele &lt;a href="https://www.criatech.pt/porbaixodapele.html"&gt;Criatech 2019&lt;/a&gt;&#10; Teatro Aveirense, Salão Nobre Aveiro, Portugal&lt;/p&gt;</description></item><item><title>::KAIROS RECALL OF EARTH</title><link>https://patriciajreis.com/news/kairos-recall-of-earth-2/</link><pubDate>Fri, 04 Oct 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/kairos-recall-of-earth-2/</guid><description>&lt;p&gt;A project by the Department of Digital Arts organized in the context of Biennale Sessions - Special Programme for Higher Education Institutions at La Biennale di Venezia’s 58th International Art Exhibition&lt;/p&gt;</description></item><item><title>Patrícia J. Reis</title><link>https://patriciajreis.com/news/patrcia-j-reis-2/</link><pubDate>Fri, 04 Oct 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/patrcia-j-reis-2/</guid><description>&lt;p&gt;Blow! Interactive installation composed by wood, foam, textile, vibration motors, microcontroller, sensor &lt;a href="https://parallelvienna.com/artists-2019/"&gt;PARALLEL VIENNA&lt;/a&gt;&#10; Sep. 24th - 29th Lassallestrasse 5 1020 Vienna, Austria&lt;/p&gt;</description></item><item><title>Tale of delusion</title><link>https://patriciajreis.com/news/tale-of-delusion/</link><pubDate>Fri, 13 Sep 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/tale-of-delusion/</guid><description>&lt;p&gt;Mz* Baltazarʼs Laboratory Patrícia J. Reis, Lale Rodgarkia-Dara, Ana Loureiro, Taga Torosyan special participation: Yonka Dragomanska Tsvetkova, Sarah Howorka Georg Kargl Permanent | | Schleifmühlgasse 17, 1040 Vienna opening : Tuesday, 12th September, 18h | Opening times/ Special events: 14th September – 12h — 15h Guided tour during Curated by | 19th September – 13h - 18h | 28th September – 12h — 15h Letter soup brunch during Vienna Contemporary | 3rd October – 15h - 18h | 10th October – 15h - 18h | 12th October – 18h - 21h&lt;/p&gt;</description></item><item><title>Group Showflora pondtemporary, St. Florian, Linz, Austria</title><link>https://patriciajreis.com/news/group-showflora-pondtemporary-st-florian-linz/</link><pubDate>Fri, 26 Jul 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/group-showflora-pondtemporary-st-florian-linz/</guid><description>&lt;p&gt;Group Show &lt;a href="https://www.florapondtemporary.at/"&gt;flora pondtemporary&lt;/a&gt;&#10; , St. Florian, Linz, Austria Opening: Friday, , from 5 pm Exhibition: July - September Stiftsteiche, 4490 St. Florian With:&lt;/p&gt;&#10;&lt;p&gt;Catrin Bolt Anita Fox Markus Hiesleitner Daniela Krajčová Nicole Krenn David Leitner Klara Paterok Patricia J. Reis Franz Tišek Lukas Walcher Curator: Lenka Kurková The Kulturdrogerie an artist-run-space in the 18th district in Vienna, would like to relocate the idea of ​​living &amp;ldquo;social sculpture&amp;rdquo; over the summer months to the countryside in St. Florian. The Flora Pondtemporary project at the St. Florian peninsular makes it possible to temporarily compensate for the contrasts between city and countryside, space and density, tradition and trend.&lt;/p&gt;</description></item><item><title>Politics of the Machines: Art / ConflictPOM Beirut 2019The 2nd POM ConferenceThe International University of Beirut, June 11-14, 2019</title><link>https://patriciajreis.com/news/politics-of-the-machines-art-conflictpom-beir/</link><pubDate>Fri, 26 Jul 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/politics-of-the-machines-art-conflictpom-beir/</guid><description>&lt;p&gt;Politics of the Machines: Art / Conflict &lt;a href="https://pombeirut.com/"&gt;POM Beirut 2019&lt;/a&gt;&#10; The 2nd POM Conference The International University of Beirut, June 11-14, 2019 10.Track: Body-politics of the machines: Troubles WITH/IN/OUT art, body, perception, politics, and technology Track chair Ingrid Cogne, Patrícia J. Reis Within the cross-disciplinary research field art – science – technology, it has been widely remarked how the proliferation of new technologies affects human and non-human bodies in multiple ways—including perceptually, intellectually, culturally, socially, environmentally, ecologically, ethically, and politically.&lt;/p&gt;</description></item><item><title>Group Show#FUCK REALITY: Positions on immersive art</title><link>https://patriciajreis.com/news/group-showfuck-reality-positions-on-immersive/</link><pubDate>Sat, 08 Jun 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/group-showfuck-reality-positions-on-immersive/</guid><description>&lt;p&gt;&lt;strong&gt;&lt;a href="http://www.shira.alu.hr/index.php/2019-2/fuckreality-positions-on-immersive-art-29-animafest-zagreb/"&gt;Gallery Šira&lt;/a&gt;&#10;, Zagreb, Croatia&lt;/strong&gt;&lt;/p&gt;&#10;&lt;p&gt;Animafest Zagreb, 03.06. – 08.06.2019&lt;/p&gt;</description></item><item><title>ExhibitionThrough The Hole is the Way-Out-Of-This -World</title><link>https://patriciajreis.com/news/exhibitionthrough-the-hole-is-the-way-out-of/</link><pubDate>Wed, 29 May 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/exhibitionthrough-the-hole-is-the-way-out-of/</guid><description>&lt;p&gt;&lt;a href="https://kulturdrogerie.org/de/"&gt;Kulturdrogerie&lt;/a&gt;&#10; , Vienna, Austria Patrícia J. Reis &amp;amp; Lukas Vincent Walcher opening May 29th 7 pm &lt;em&gt;Through the hole is the way ‘Out-of-This-World’&lt;/em&gt; is a site-specific interactive installation presented by media artists Patricia J. Reis in collaboration with Lukas Vincent Walcher in the open-air segment of the experimental station Kulturdrogerie in the 18th district of Vienna, Währing and is on view from 29th of May till 20th of June 2019. The work explores the concepts of temporality, communication and translation in heterotopias – culturally, institutionally and discursively ‘othered’ spaces, inviting the interactors to have an embodied experience of the movement of a flag in the sky that can be observed underneath a temporary pavilion.&lt;/p&gt;</description></item><item><title>Workshop Arte Interactiva at Fundación Ludwig, Havana Biennale, Cuba</title><link>https://patriciajreis.com/news/workshop-arte-interactiva-atfundacin-ludwig-h/</link><pubDate>Wed, 29 May 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/workshop-arte-interactiva-atfundacin-ludwig-h/</guid><description>&lt;p&gt;Workshop Arte Interactiva at &lt;a href="http://aflfc.org/whoweare/ludwig-foundation-of-cuba/"&gt;Fundación Ludwig&lt;/a&gt;&#10;, Havana Biennale, Cuba.&lt;/p&gt;</description></item><item><title>Group Show#FUCK REALITY: Posiciones del Arte Inmersivo</title><link>https://patriciajreis.com/news/group-showfuck-reality-posiciones-del-arte-in/</link><pubDate>Fri, 12 Apr 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/group-showfuck-reality-posiciones-del-arte-in/</guid><description>&lt;p&gt;&lt;em&gt;&lt;a href="http://aflfc.org/whoweare/ludwig-foundation-of-cuba/"&gt;Fundación Ludwig&lt;/a&gt;&#10;, Havana Biennale, Cuba.12.04.2019 -28.04.2019&lt;/em&gt; Fundación Ludwig de Cuba, Calle 13 # 509 entre D y E, Vedado, Havana, Cuba Artists: Thomas Hochwallner, Nicolaj Kirisits, Martin Kusch / fitness pluriel, Bobby Malhotra, David Osthoff, Patrícia Reis, Ruth Schnell, Franz Schubert&lt;/p&gt;</description></item><item><title>Review at Designisso (Issue Nov 2018)</title><link>https://patriciajreis.com/news/review-at-designisso-issue-nov-2018/</link><pubDate>Fri, 12 Apr 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/review-at-designisso-issue-nov-2018/</guid><description>&lt;p&gt;&lt;a href="http://designisso.com/hu/2018/11/19/bor-a-bor-alatt-patricia-j-reis-interaktiv-installacioja-minden-erzekszervunket-jatekra-hivja/"&gt;Read the review at Designisso&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>ROBOT LOVE</title><link>https://patriciajreis.com/news/robot-love/</link><pubDate>Sun, 02 Dec 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/robot-love/</guid><description>&lt;p&gt;15.09 — Evoluon, Campina, Van Abbemuseum, Park Theatre Eindhoven Eindhoven, Netherlands&lt;/p&gt;</description></item><item><title>Zip-Scene Conference</title><link>https://patriciajreis.com/news/zip-scene-conference/</link><pubDate>Thu, 08 Nov 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/zip-scene-conference/</guid><description>&lt;p&gt;Moholy-Nagy University of Art and Design, Budapest, Hungary&lt;/p&gt;</description></item><item><title>#FUCK REALITY</title><link>https://patriciajreis.com/news/fuck-reality/</link><pubDate>Sat, 24 Nov 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/fuck-reality/</guid><description>&lt;ol start="5"&gt;&#10;&lt;li&gt;10 — &lt;a href="https://www.kunstraum.net/de"&gt;Kunstraum Niederösterreich&lt;/a&gt;&#10; Vienna, Austria&lt;/li&gt;&#10;&lt;/ol&gt;</description></item><item><title>BANFF, Centre for Art &amp; Creativity</title><link>https://patriciajreis.com/news/banff-centre-for-art-creativity/</link><pubDate>Fri, 13 Jul 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/banff-centre-for-art-creativity/</guid><description>&lt;p&gt;Banff, Canada&lt;/p&gt;</description></item><item><title>ISEA Symposium on Electronic Art</title><link>https://patriciajreis.com/news/isea-symposium-on-electronic-art/</link><pubDate>Sat, 23 Jun 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/isea-symposium-on-electronic-art/</guid><description>&lt;p&gt;Durban, South Africa [Socially engaged media art] Conversation Session: Mediated Empowerment Using Media and Technology to Amplify the Voices of Local Communities together with Jill Scott and Eugenio Tisselli &lt;a href="http://www.isea-international.org/"&gt;http://www.isea-international.org/&lt;/a&gt;&#10;&lt;/p&gt;</description></item><item><title>WORKSHOP Hackerspaces cultures: Speculations on bioenergy towards an alternative desired future</title><link>https://patriciajreis.com/news/workshop-hackerspaces-cultures-speculations-o/</link><pubDate>Fri, 25 May 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/workshop-hackerspaces-cultures-speculations-o/</guid><description>&lt;p&gt;&lt;strong&gt;25.05.2018|&lt;/strong&gt; &lt;strong&gt;15-17h&lt;/strong&gt; Ars Electronica Center, Linz, Austria [Make&amp;hellip; cooperative futures: Power, Access, Mapping, Alternative Fictions Symposium der Abteilung Mediengestaltung] How do we imagine a sustainable desired global future? What means being individually happy and satisfied? What should we believe in, when we are constantly loaded with new digital data and information? And what should we wish for? Can technology be an asset to project our future visions? Which open tools do we have access to empower our wishes?&lt;/p&gt;</description></item><item><title>Ubiquitous Futures</title><link>https://patriciajreis.com/news/ubiquitous-futures/</link><pubDate>Sun, 20 May 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/ubiquitous-futures/</guid><description>&lt;p&gt;18.05. - [During the Click Festival — CONTEMPORARY ART, SCIENCE AND TECHNOLOGY — CATCH, Helsingør, Denmark]&lt;/p&gt;</description></item><item><title>WorkshopFrom concept to exhibition[PhD Course: Open Hardware Open Machines]</title><link>https://patriciajreis.com/news/workshopfrom-concept-to-exhibitionphd-course/</link><pubDate>Mon, 14 May 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/workshopfrom-concept-to-exhibitionphd-course/</guid><description>&lt;p&gt;CATCH, Helsingør, Denmark Collaboration between IT University, CATCH, Aalborg University, within the framework of the conference &lt;a href="http://www.eva-copenhagen.dk/"&gt;POLITICS OF THE MACHINES – ART AND AFTER&lt;/a&gt;&#10; The Ph.d students have worked in teams with a particular focus on using the technologies of mapping, monitoring and sensory experiences in their research into hybrid state(s) of the body. The result is two installatory presentations operating as hybrids in-between art installations and prototypes, which are developed to test the status of technological devices and tools in an investigation of ‘future pleasure objects’.&lt;/p&gt;</description></item><item><title>WorkshopDemystifying the Black Box!</title><link>https://patriciajreis.com/news/workshopdemystifying-the-black-box/</link><pubDate>Thu, 25 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/workshopdemystifying-the-black-box/</guid><description>&lt;p&gt;Workshop &lt;em&gt;&lt;strong&gt;Demystifying the Black Box!&lt;/strong&gt;&lt;/em&gt; FH Technikum Wien ProjectKitchen, UAS Technikum Wien (Room B_4.04)&lt;/p&gt;</description></item><item><title>Klangmanifest, Vienna</title><link>https://patriciajreis.com/news/klangmanifest-vienna/</link><pubDate>Wed, 17 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/klangmanifest-vienna/</guid><description>&lt;p&gt;Opening:&lt;/p&gt;&#10;&lt;p&gt;Finissage:&lt;/p&gt;&#10;&lt;p&gt;26.1.2018, 18h Location:&lt;/p&gt;&#10;&lt;p&gt;Echoraum Sechshauser Straße 66, 1150 Vienna, Austria&lt;/p&gt;</description></item><item><title>Hacking the Body as a Black Box: From the Odalisque to Sexbots and Beyond</title><link>https://patriciajreis.com/news/probabilistic-intimacy-reclaiming-the-body/</link><pubDate>Tue, 13 Oct 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/news/probabilistic-intimacy-reclaiming-the-body/</guid><description>&lt;p&gt;Presented in the context of &lt;em&gt;The Artistic Research Lecture Series — PhD in Practice programme&lt;/em&gt;.&lt;/p&gt;&#10;&lt;p&gt;&lt;strong&gt;Venue:&lt;/strong&gt; UMAK (Universität Mozarteum am Kurgarten)&lt;br&gt;&#10;Schwarzstraße 36&lt;br&gt;&#10;Seminar Room 2.18&lt;/p&gt;&#10;&lt;p&gt;How can we reclaim the body in a landscape increasingly contaminated by AI hype? Can technology still become an ally in bringing us back in touch with each other and ourselves, beyond predictability and disembodied interaction? From the Orientalist fantasies embodied by the Odalisque to contemporary AI-driven sexbots, this lecture traces how colonial and patriarchal imaginaries continue to shape representations of the female body through what I refer to as &lt;em&gt;probabilistic intimacy&lt;/em&gt;: systems that simulate desire, consent, and care through prediction rather than embodied experience. Grounded in extractivism, invisible labour, embedded biases, surveillance, and governance, these representations increasingly affect perception, intimacy, agency, and consent while reducing experience to probabilistic simulation. In response, I propose the body as a “black box”—both an artistic strategy and a critical lens—working with its indeterminacy to reclaim embodied perception and situated experience.&lt;/p&gt;</description></item><item><title>Skin under skin</title><link>https://patriciajreis.com/projects/underneath-the-skin-another-skin-2025/</link><pubDate>Tue, 07 Apr 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/underneath-the-skin-another-skin-2025/</guid><description>&lt;p&gt;Skin under skin, is an audio-visual-tactile interactive installation composed of three human-scale soft objects that invite direct bodily engagement. Made from flexible materials, the work creates a sensorial and intimate relationship between the interactor and the system of the piece.&#10;Each object integrates an audio-visual-tactile interface: flickering light, pulsed sound, and internal vibration. When the interactor approaches with eyes closed and engages through touch, the synchronisation of these stimuli generates internal visual phenomena—moving geometric patterns and colours emerging from the brain’s interpretation of altered sensory input.&#10;Through this process, perception becomes the site of image construction. The interactor’s sensorial apparatus operates as an active system, producing individual and singular experiences. The interaction is not limited to the work’s technical system; rather, Interaction unfolds within the body, occuring within the internal space of the interactor. The interactor interacts within its system, generating new information and producing experiences in a singular way.&lt;/p&gt;</description></item><item><title>Sensorial Mechanisms</title><link>https://patriciajreis.com/projects/sensorial-mechanisms-2025-2026/</link><pubDate>Sun, 01 Mar 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/sensorial-mechanisms-2025-2026/</guid><description>&lt;p&gt;Artists Dorota Walentynowicz and Patrícia J. Reis create a shared visual and conceptual space shaped by a soft yet firm negotiation of the gaze. The exhibition brings together a constellation of objects, images, and surfaces that do not fully reveal themselves. Instead, they flicker between presence and concealment—between the desire to be seen and the right to refuse visibility.&#10;Embedded within these gestures is an inquiry into the digital gaze: mediated seeing, synthetic vision, machine desire. The artists ask whether, even for a brief moment, we can step back from the flood of images that saturates our daily lives and reflect on the normative frameworks of seeing and being seen—frameworks that reinforce prejudice, capitalism, and colonial narratives.&#10;They direct the audience’s attention toward what remains unseen, shifting the gaze away from spectacle and toward its backstage. In doing so, they expose mechanisms of power, recover what has been forgotten, and open the possibility of re-reading the history of visual media and technology from a feminist perspective.&lt;/p&gt;</description></item><item><title>Display Island</title><link>https://patriciajreis.com/projects/display-island-2025/</link><pubDate>Fri, 23 Jan 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/display-island-2025/</guid><description>&lt;p&gt;In Display Island, Reis focuses on the physical involvement of participants. The installation activates the viewers’ sensory systems and, in response to the excess of images dominating contemporary visual culture, proposes an alternative mode of engagement—one that operates not primarily through sight, but through bodily and auditory perception.&#10;The circular couch installation features a sound work delivered through sound showers shaped like lampshades. The piece takes the form of a spoken, spell-like manifesto. Through layered whispers and declarative voices, it invokes Medusa and the Odalisque as guardians of embodied difference, transforming a critique of patriarchy and the commodification of pleasure into a sensorial act of resistance and remembrance.&#10;Interwoven with the voice, a mystical noise is both heard and physically felt through transducer speakers embedded in the couch. In this way, Reis explores new forms of communication between humans and technology grounded in sensuality and intuition. Her works function as laboratories of embodied perception, in which the body is reclaimed as a full-fledged instrument for cognition and interaction with the world.&lt;/p&gt;</description></item><item><title>Texts &amp; Publications</title><link>https://patriciajreis.com/texts/</link><pubDate>Thu, 01 Jan 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/texts/</guid><description>&lt;nav class="texts-nav" aria-label="Texts and publications jump navigation"&gt;&#10; &lt;a href="#books-monographs"&gt;Books &amp;amp; Monographs&lt;/a&gt;&#10; &lt;span class="texts-nav-sep" aria-hidden="true"&gt;·&lt;/span&gt;&#10; &lt;a href="#exhibition-catalogues"&gt;Exhibition Catalogues &amp;amp; Books&lt;/a&gt;&#10; &lt;span class="texts-nav-sep" aria-hidden="true"&gt;·&lt;/span&gt;&#10; &lt;a href="#academic-papers"&gt;Academic Papers&lt;/a&gt;&#10; &lt;span class="texts-nav-sep" aria-hidden="true"&gt;·&lt;/span&gt;&#10; &lt;a href="#selected-press"&gt;Selected Press&lt;/a&gt;&#10;&lt;/nav&gt;&#10;&#10;&lt;section class="publication-gallery" data-publication-gallery aria-label="Publication image gallery"&gt;&#10; &lt;div class="publication-gallery-viewport" data-publication-viewport tabindex="0" aria-label="Publication images; scroll horizontally, swipe, or use arrow keys to browse"&gt;&#10; &lt;div class="publication-gallery-track"&gt;&lt;figure class="publication-gallery-slide"&gt;&#10; &lt;a href="https://patriciajreis.com/publications/1_Patricia%20J%20Reis%20Publications_hu_9c549ca6b78e88e9.webp" data-publication-trigger aria-haspopup="dialog" aria-label="Open 1 Patricia J Reis Publications in gallery"&gt;&#10; &lt;img src="https://patriciajreis.com/publications/1_Patricia%20J%20Reis%20Publications_hu_32cf4333e1281d7a.webp"&#10; srcset="https://patriciajreis.com/publications/1_Patricia%20J%20Reis%20Publications_hu_a49f663d472086e9.webp 800w, https://patriciajreis.com/publications/1_Patricia%20J%20Reis%20Publications_hu_32cf4333e1281d7a.webp 1400w, https://patriciajreis.com/publications/1_Patricia%20J%20Reis%20Publications_hu_c02b72f2f39f05b6.webp 2200w"&#10; sizes="(max-width: 768px) 100vw, 700px"&#10; alt="Publication image: 1 Patricia J Reis Publications"&#10; class=""&#10; loading="lazy"&#10; width="4032"&#10; height="3024"&gt;&#10; &lt;/a&gt;&#10; &lt;/figure&gt;&lt;figure class="publication-gallery-slide"&gt;&#10; &lt;a href="https://patriciajreis.com/publications/2_patricia%20J.%20Reis%20Book%200.cover_hu_8cbe754beb134053.webp" data-publication-trigger aria-haspopup="dialog" aria-label="Open 2 patricia J. Reis Book 0.cover in gallery"&gt;&#10; &lt;img src="https://patriciajreis.com/publications/2_patricia%20J.%20Reis%20Book%200.cover_hu_2470798ef8bfc2ae.webp"&#10; srcset="https://patriciajreis.com/publications/2_patricia%20J.%20Reis%20Book%200.cover_hu_e5ec2101ac7ebc78.webp 800w, https://patriciajreis.com/publications/2_patricia%20J.%20Reis%20Book%200.cover_hu_2470798ef8bfc2ae.webp 1400w, https://patriciajreis.com/publications/2_patricia%20J.%20Reis%20Book%200.cover_hu_6b0fc61355f33290.webp 2200w"&#10; sizes="(max-width: 768px) 100vw, 700px"&#10; alt="Publication image: 2 patricia J. Reis Book 0.cover"&#10; class=""&#10; loading="lazy"&#10; width="2520"&#10; height="1890"&gt;&#10; &lt;/a&gt;&#10; &lt;/figure&gt;&lt;figure class="publication-gallery-slide"&gt;&#10; &lt;a href="https://patriciajreis.com/publications/3_patricia%20J.%20Reis%20Book%201.png" data-publication-trigger aria-haspopup="dialog" aria-label="Open 3 patricia J. 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Reis Book 3 in gallery"&gt;&#10; &lt;img src="https://patriciajreis.com/publications/5_patricia%20J.%20Reis%20Book%203.png"&#10; srcset="https://patriciajreis.com/publications/5_patricia%20J.%20Reis%20Book%203_hu_7ec73d4092c11571.webp 800w, https://patriciajreis.com/publications/5_patricia%20J.%20Reis%20Book%203.png 1212w, https://patriciajreis.com/publications/5_patricia%20J.%20Reis%20Book%203.png 1212w"&#10; sizes="(max-width: 768px) 100vw, 700px"&#10; alt="Publication image: 5 patricia J. Reis Book 3"&#10; class=""&#10; loading="lazy"&#10; width="1212"&#10; height="938"&gt;&#10; &lt;/a&gt;&#10; &lt;/figure&gt;&lt;figure class="publication-gallery-slide"&gt;&#10; &lt;a href="https://patriciajreis.com/publications/6_patricia%20J.%20Reis%20Book%204.png" data-publication-trigger aria-haspopup="dialog" aria-label="Open 6 patricia J. 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height="2479"&gt;&#10; &lt;/a&gt;&#10; &lt;/figure&gt;&#10; &lt;/div&gt;&#10; &lt;/div&gt;&#10; &lt;button class="publication-gallery-arrow publication-gallery-arrow--prev" type="button" data-publication-prev aria-label="Previous publication image"&gt;&amp;lt;&lt;/button&gt;&#10; &lt;button class="publication-gallery-arrow publication-gallery-arrow--next" type="button" data-publication-next aria-label="Next publication image"&gt;&amp;gt;&lt;/button&gt;&#10;&lt;/section&gt;&#10;&lt;div class="project-lightbox" data-publication-lightbox role="dialog" aria-modal="true" aria-labelledby="publication-lightbox-title" aria-hidden="true" hidden&gt;&#10; &lt;div class="project-lightbox-backdrop" data-publication-close&gt;&lt;/div&gt;&#10; &lt;div class="project-lightbox-panel"&gt;&#10; &lt;h2 id="publication-lightbox-title" class="sr-only"&gt;Publications gallery&lt;/h2&gt;&#10; &lt;button class="project-lightbox-button project-lightbox-close" type="button" data-publication-close aria-label="Close image viewer"&gt;&amp;times;&lt;/button&gt;&#10; &lt;button class="project-lightbox-button project-lightbox-prev" type="button" data-publication-lightbox-prev aria-label="Previous publication image"&gt;&amp;lt;&lt;/button&gt;&#10; &lt;figure class="project-lightbox-figure"&gt;&#10; &lt;img class="project-lightbox-image" data-publication-lightbox-image src="" alt=""&gt;&#10; &lt;/figure&gt;&#10; &lt;button class="project-lightbox-button project-lightbox-next" type="button" data-publication-lightbox-next aria-label="Next publication image"&gt;&amp;gt;&lt;/button&gt;&#10; &lt;p class="project-lightbox-counter" data-publication-lightbox-counter aria-live="polite"&gt;&lt;/p&gt;&#10; &lt;/div&gt;&#10;&lt;/div&gt;</description></item><item><title>Traces of Control</title><link>https://patriciajreis.com/projects/traces-of-control/</link><pubDate>Tue, 12 Aug 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/traces-of-control/</guid><description>&lt;p&gt;Within their artistic research Patrícia J. Reis and Ruth Schnell explore the far-reaching societal and ethical impacts of artificial intelligence, as well as its technological influence on our lived environment. Their interactive mixed media installation expands the physical exhibition into a hybrid experiential space by interweaving virtual and physical layers and adding a digital dimension to real objects and artefacts.&lt;/p&gt;</description></item><item><title>The Cosmic Box</title><link>https://patriciajreis.com/projects/the-cosmic-box-2024/</link><pubDate>Sat, 02 Aug 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/the-cosmic-box-2024/</guid><description>&lt;p&gt;In their site-specific video installation titled The Cosmic Box, artists Patrícia J. Reis and Fernando Mesquita craft a thought-provoking satire that reflects on the human condition, blending dark humor with poignant social critique. Part of the group exhibition Tombola, where the theme and media for each artwork are determined by chance, Reis and Mesquita received the theme “Hope” and the media “Staging.” Their response is a clever subversion of the very notion of hope, offering instead a narrative steeped in pessimism and critique of human existence.&lt;/p&gt;</description></item><item><title>Of clouds and clocks</title><link>https://patriciajreis.com/projects/of-clouds-and-clocks-2024/</link><pubDate>Wed, 24 Apr 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/of-clouds-and-clocks-2024/</guid><description>&lt;p&gt;The sound installation and performative interpretation Of clouds and clocks after György Ligeti&amp;rsquo;s &amp;ldquo;Poème symphonique for 100 metronomes&amp;rdquo; was conceived for the exhibition Unabridged at the Kunstlerhaus in Vienna that combined a series of contemporary artistic positions from Dora Deliyska, Anna Hofbauer, Kai Maier-Rothe, Phelim McConigly, Flavio Palasciano, Patricia J. Reis, Axel Stockburger, Johanna Charlotte Trede.&lt;/p&gt;</description></item><item><title>Massage Chairs Love series</title><link>https://patriciajreis.com/projects/massage-chairs-2024/</link><pubDate>Fri, 09 Feb 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/massage-chairs-2024/</guid><description>&lt;p&gt;The work Massage Chair series offers a tangible encounter between automation and perception, where the machine and the body share a material space, engage in a metaphoric dialogue of touch, each responding to the other’s inputs. Participants are invited to embody, relax, and sit comfortably in the specially adjustable chairs — upcycled massage chairs modified by the artist, to which she added comfortable upholstered details and a technical audiovisual–tactile interface.&lt;/p&gt;</description></item><item><title>What's love got to do with it?</title><link>https://patriciajreis.com/projects/whats-love-got-to-do-with-it/</link><pubDate>Thu, 09 Nov 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/whats-love-got-to-do-with-it/</guid><description>&lt;p&gt;“A culture of domination is anti-love. It requires violence to sustain itself. To choose love is to go against the prevailing values of the culture. Many people feel unable to love either themselves or others because they do not know what love is.” Bell Hooks (1994)&lt;/p&gt;</description></item><item><title>CLAY PCB</title><link>https://patriciajreis.com/projects/clay-pcb-2023/</link><pubDate>Fri, 15 Sep 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/clay-pcb-2023/</guid><description>&lt;p&gt;We challenge conventional PCB economies through feminist hacking lenses, prioritising sentient, low-impact, non-toxic, fair-traded, and recycled production methods.&lt;/p&gt;&#10;&lt;p&gt;It is an open secret that the hardware in our smart devices contains not only plastics but also conflict minerals like tin, silver and gold.&#10;We investigated alternative hardware from locally sourced materials, so-called ethical hardware, to develop and speculate upon renewable practices for the benefit of both nature and humans. To decolonise technology we had to go beyond demystifying the black box, and dive deeper into understanding the basic elements these circuits and chips are made of. This journey took us virtually to many places, from gold mines in Indonesia to upcycle workshops in Cuba and e-waste landfills in Ghana.&lt;/p&gt;</description></item><item><title>Who has land to make a fire?</title><link>https://patriciajreis.com/projects/who-has-land-to-make-a-fire/</link><pubDate>Thu, 23 Mar 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/who-has-land-to-make-a-fire/</guid><description>&lt;p&gt;The project by Patrícia J. Reis, Céline Struger and Kristin Weissenberger was presented at Mz* Baltazar’s Laboratory (2023), Vienna, in the form of an exhibition. It revolved around the group&amp;rsquo;s collaborative and artistic process, using ceramics as their primary medium for exploration. The group’s goal was to create a shared artistic process that encouraged reflection and discussion among the artists involved. Through this project, the artists also wanted to shed light on the emancipation history of female artists and to explore the relationship between ceramics, hacking and other fields of art.&lt;/p&gt;</description></item><item><title>Coffee Table</title><link>https://patriciajreis.com/projects/coffee-table/</link><pubDate>Thu, 08 Sep 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/coffee-table/</guid><description>&lt;p&gt;In the interactive installation Coffee Table (in German ‘Kaffeekränzchen’), the legacy of gendered porcelain collecting, and the different functions and meaning of this in women’s lives, was explored, while also engaging with themes of art, science and technology.&lt;/p&gt;</description></item><item><title>endoSensorial mask</title><link>https://patriciajreis.com/projects/endosensorial-mask-2022/</link><pubDate>Fri, 19 Aug 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/endosensorial-mask-2022/</guid><description>&lt;p&gt;endoSensorial mask is an interactive installation composed by one sculpture/ mask suspended in space and hanged from the ceiling. The participant is invited to wear a VR headset (embedded in the sculpture) and embody it in multiple possible ways. By doing so, the participant is immersed in a virtual reality environment which is synchronised with the worn physicality of the objects.&lt;/p&gt;</description></item><item><title>Low-tech paper pulp lab</title><link>https://patriciajreis.com/projects/low-tech-paper-pulp-lab-2022/</link><pubDate>Mon, 01 Aug 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/low-tech-paper-pulp-lab-2022/</guid><description>&lt;p&gt;The participatory installation Low-tech paper pulp lab aims at bringing together people from different backgrounds and mind sets to collaborate with the artists in a commodity chain performance designed for recycling and upcycling paper collected from the streets of Havana.&lt;/p&gt;</description></item><item><title>from object to affect: proposals for future archives after the media</title><link>https://patriciajreis.com/projects/from-object-to-affect-proposals-for-future-archives-after-the-media-2021/</link><pubDate>Sun, 28 Nov 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/from-object-to-affect-proposals-for-future-archives-after-the-media-2021/</guid><description>&lt;p&gt;In the light of the current context of the big data in which data processing, data curation, storage, transfer, visualisation and privacy are major topics of discussion, artists Carla Cabanas and Patrícia J. Reis collaborate for the second time on an artist project that aims to reflect upon alternative ways of digital archiving, materialisation and/or dematerialisation of private objects.&lt;/p&gt;</description></item><item><title>Sensorial Screen #3</title><link>https://patriciajreis.com/projects/sensorial-screen-3-2021/</link><pubDate>Sun, 28 Nov 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/sensorial-screen-3-2021/</guid><description>&lt;p&gt;The sculpture Sensorial Screen #3 is an interactive installation that allows the body to view itself as a place where complex visual information. Is perceived as a sensation that can also be felt on the skin level. The vibration (60 vibration motors) reacts to the motion of the flag represented in the video.&#10;Weather-related pain or meteoropathy is the effect of weather on the human organism. Air pressure fluctuations, foehn winds, heat waves, changing humidity and thunderstorms might have an effect on general health, mood and performance levels of individuals.In particular, people who are weakened by chronic diseases, such as rheumatism or asthma are more sensitive to the weather.&lt;/p&gt;</description></item><item><title>"The Medusa v. The Odalisque"</title><link>https://patriciajreis.com/projects/the-medusa-v-the-odalisque-2021/</link><pubDate>Mon, 09 Aug 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/the-medusa-v-the-odalisque-2021/</guid><description>&lt;p&gt;“The Medusa v. The Odalisque” is the artists&amp;rsquo; ongoing research towards a critical reflection on the subject of visual pleasure in the age of digital entities. The exhibition consists of a collection of objects and images which engage the visitors in a spectacle of gazes.&lt;/p&gt;</description></item><item><title>Blow!</title><link>https://patriciajreis.com/projects/blow/</link><pubDate>Thu, 07 Nov 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/blow/</guid><description>&lt;p&gt;In the light of the current digital media context, in which data and privacy are major topics of discussion, Patrícia J. Reis artwork examines potential processes of semantic translation between humans and machines.&lt;/p&gt;</description></item><item><title>Through the hole is the way "Out-of-This World"</title><link>https://patriciajreis.com/projects/through-the-hole-is-the-way-out-of-this-world-2019/</link><pubDate>Mon, 29 Jul 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/through-the-hole-is-the-way-out-of-this-world-2019/</guid><description>&lt;p&gt;Through the hole is the way ‘Out-of-This-World’ is a site-specific interactive installation presented by media artists Patricia J. Reis in collaboration with Lukas Vincent Walcher, first created for the open-air segment of the experimental station Kulturdrogerie in Vienna and, later installed and adapted to the nature site-specificity of Flora Pondtemporary, Stiftsteiche in St. Florian, Austria.&lt;/p&gt;</description></item><item><title>Sensorial screen #1</title><link>https://patriciajreis.com/projects/sensorial-screen-1/</link><pubDate>Tue, 18 Sep 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/sensorial-screen-1/</guid><description>&lt;p&gt;The project Sensorial screen is a concept for an interactive installation that considers the body as a screen, as a place, in which complex visual information can be perceived as a sensation, and felt at the skin level. By focusing on the haptic experience of the participant it takes into consideration his or hers sensorial biological apparatus in the construction of unique individual phenomenological experiences.&lt;/p&gt;</description></item><item><title>Touching my breath</title><link>https://patriciajreis.com/projects/touching-my-breath-2018/</link><pubDate>Thu, 23 Aug 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/touching-my-breath-2018/</guid><description>&lt;p&gt;In the light of the current digital media context, in which data and privacy are major topics of discussion, Patrícia J. Reis artwork examines potential processes of semantic translation between humans and machines.&#10;Touching my breath (2018) focuses on one&amp;rsquo;s own intimate haptic system, taking into consideration their sensorial mechanism as an apparatus for the construction of individual sensations. The interactive installation invites participants to engage physically and bodily, experiencing haptic sensations resultant from the data collected from their own breath.&lt;/p&gt;</description></item><item><title>[B.M.I.] BELIEVER. MACHINE. INTERFACE</title><link>https://patriciajreis.com/projects/b-m-i-believer-machine-interface/</link><pubDate>Fri, 05 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/b-m-i-believer-machine-interface/</guid><description>&lt;p&gt;We learned to believe in machines! We enjoy believing in machines!&lt;/p&gt;&#10;&lt;p&gt;The BMI project investigates fictional technomancy by questioning the boundaries between science, religion and magic from the point of view of the user and/or the believer.&lt;/p&gt;</description></item><item><title>Intimate Archives After Media</title><link>https://patriciajreis.com/projects/intimate-archives-after-media/</link><pubDate>Fri, 05 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/intimate-archives-after-media/</guid><description>&lt;p&gt;In the light of the current context of the big data where data processing, data curation, storage, transfer, visualization and privacy are major topics of discussion, artists Carla Cabanas and Patrícia J. Reis proposed to collaborate on an artist project that aims to reflect upon future ways of materialization and/or dematerialization of visual private archives.&lt;/p&gt;</description></item><item><title>The wishing machine project</title><link>https://patriciajreis.com/projects/wishing-machine-project/</link><pubDate>Fri, 05 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/wishing-machine-project/</guid><description>&lt;p&gt;The wishing machine project explores technomancy science fiction imaginary through the creation of a machine that can make one&amp;rsquo;s wishes become true. The open source apparatus is powered by orgone energy [Wilhelm Reich, 1930] known to be as a &amp;ldquo;universal life force&amp;rdquo; flowing within living bodies and nature. Referring to other black boxes typologies [as the photo camera by Vilém Flusser, 1983], this apparatus contains an input and an output plate. The wishes are symbolically represented and placed on the input plate while the wisher touches and gently rubs the output plate. The process is concluded when the orgone energy is sensorial perceived in the body.&lt;/p&gt;</description></item><item><title>Cutting the body</title><link>https://patriciajreis.com/projects/cutting-the-body/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/cutting-the-body/</guid><description>&lt;p&gt;A small video projector is displaying a video on a wall. A small film cutter (guillotine) is placed in between the projector and the projection. The guillotine is assembled with an automatic mechanism (composed by an Arduino and a small stepper motor) programed to move its handle upwards and downwards. The movement is therefore synchronized with the narrative in the video, that shows a long shot of a performer (the artist), stepping in a room, facing the camera, and placing one part of her body (head, arms or legs) on a small white bench. When the guillotine handle moves downwards, obscuring the projection, the performer is placing one part of her body on the bench. When the guillotine handle moves upwards, the projection is revealed again, showing the performer without the part of the body previously placed on the bench. The video and the mechanism continues until all parts of the body are cut off. The installation is always in loop.&lt;/p&gt;</description></item><item><title>Digital skin</title><link>https://patriciajreis.com/projects/digital-skin/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/digital-skin/</guid><description>&lt;p&gt;Writing you a love e-mail in a hot Sunday afternoon: you reply with a flower made of my digital skin (2011) is a digital photo, made of two computer-assisted compositions. On the left we see a self-representation of the artist, naked, seating in her living room and interacting with a laptop. The skin of her body was intentionally removed from the picture and replaced with the picture’s background. On the right, the skin of the body is shown, having been cut down in little pieces and rearranged as a flower bouquet against the background. Above the bouquet we can read the sentence that titles the piece.&lt;/p&gt;</description></item><item><title>FAM Budapest action</title><link>https://patriciajreis.com/projects/budapest-museum/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/budapest-museum/</guid><description>&lt;p&gt;F.A. Budapest Museum is a performance artist that took place in the Fine Art Museum in Budapest, August, 2006. Back to that time, the entrance to the permanent exhibition in the Museum was for free. Although, taking pictures would require buying a ticket (Photo Ticket) and using it in the chest in order to the museum vigilant (keeper) recognize it instantly.&lt;/p&gt;</description></item><item><title>In the studio</title><link>https://patriciajreis.com/projects/in-the-studio/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/in-the-studio/</guid><description>&lt;p&gt;On the night of December 4th, 1956, at the emblematic Heroes Square, in Budapest, there was a silent demonstration organized by women. Witnesses have confirmed a total of 20,000 women, dressed in black, holding candles, flowers, black flags, and Hungarian flags, protesting against the regime. Military in artillery cars were called to clear the streets. None of the men soldiers were able to use violence against these women, as they remained unharmed and indifferent to military presence. This was one of the first revolutions won by the people.&#10;There isn’t any photographic document of this event. The artist thus has decided to illustrate the event by using this image of an unharmed and strong woman. This project was the result of an artist residency in Budapest.&lt;/p&gt;</description></item><item><title>Inside out: myself as Diana</title><link>https://patriciajreis.com/projects/myself-as-diana/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/myself-as-diana/</guid><description>&lt;p&gt;Inside out: Myself as Diana is an interactive installation that allows participants to see another reality behind a wall.&#10;A small monitor is placed on a table, leaning to a wall, inviting manipulation from the interactor.&#10;By doing so, he/she can see a video image representing an intimate scene, namely a woman bathing.&#10;The interactor can manipulate the screen freely on the wall’s surface to watch small parts of the image, in order to compose the whole represented action.&#10;The screen works as an access window to a virtual and intimate space, a tangible interface between two realities, turning interactivity into a voyeuristic experience.&lt;/p&gt;</description></item><item><title>Odalisques #1</title><link>https://patriciajreis.com/projects/odalisques/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/odalisques/</guid><description>&lt;p&gt;A monitor is installed following a photograph of a women reclining on a sofa, with her back to the viewer. The participant might move freely (all directions) the monitor in order to perceive a different image, from that in the photograph. Although the moving image that appears on the screen corresponds to the still shot, the video works as a window enabling the observer to see beyond it. By moving the monitor, the observer becomes a voyer.&lt;/p&gt;</description></item><item><title>Odalisques #2</title><link>https://patriciajreis.com/projects/odalisques-2/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/odalisques-2/</guid><description>&lt;p&gt;A monitor is installed featuring a photograph of two female figures with their backs to the viewer. The participant can freely move the monitor – in all directions – to see a different image than that in the photograph. Although the moving image that appears on the screen corresponds to the still shot, the video operates as a window, enabling the viewer to see beyond it – to virtually enter the invisible side of the image.&lt;/p&gt;</description></item><item><title>Patrícia's bath</title><link>https://patriciajreis.com/projects/patricia-bath/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/patricia-bath/</guid><description>&lt;p&gt;“The title O Banho de Patrícia refers to the myth of Diana and Actaeon, and departs from representations of the mythological narratives, resumed during the Ancient Regime by painters such as François Boucher or Antoine-Jean Gros. In the photograph, the viewer progresses in space and arrives to the place where someone is taking a bath.&lt;/p&gt;</description></item><item><title>Penetrating the black box</title><link>https://patriciajreis.com/projects/penetrating-black-box/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/penetrating-black-box/</guid><description>&lt;p&gt;The installation proposes the photographic apparatus as a “black box” and as a metaphor to reflect upon the relation between the private and public space of the image. Inspired by Vilém Flusser’s writings on photography, the artist employs his concepts of faith and magic, event and happening, towards the “coded cameras”, questioning the existence of the political space of the digital image. In the installation Penetrating the black box, Reis creates a “scene” consisting of a mechanical apparatus that is programmed in order to automatically trigger two photo digital cameras (at different moments) inside a black box. The output image from the cameras is transmitted in real-time onto two monitors.&lt;/p&gt;</description></item><item><title>Underneath the skin another skin</title><link>https://patriciajreis.com/projects/underneath-the-skin-another-skin/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/underneath-the-skin-another-skin/</guid><description>&lt;p&gt;Underneath the skin another skin is an audio-visual-tactile interactive installation presented in the shape of three human-scale tridimensional objects. It is made of flexible materials such as textiles, inviting the interacting audience to engage physically in a bodily sensorial and sensuous relationship with the artwork.&lt;/p&gt;</description></item><item><title>Untitled project #1</title><link>https://patriciajreis.com/projects/untitled-project-1/</link><pubDate>Thu, 04 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/untitled-project-1/</guid><description>&lt;p&gt;Untitled project is a work-in-progress photographic project dealing with the dichotomy foreground/background. The self-representation of the artist as a body or shape is cut off in order to reveal a digital gold background. The assemblage of bodies composes a grotesque narrative that demystifies the visual pleasure usually given by a female body representation.&lt;/p&gt;</description></item><item><title>The bath</title><link>https://patriciajreis.com/projects/the-bath/</link><pubDate>Mon, 06 Jul 2015 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/the-bath/</guid><description>&lt;h4 id="the-bath"&gt;THE BATH&lt;/h4&gt;&#10;&lt;h4 id="2008"&gt;2008&lt;/h4&gt;&#10;&lt;p&gt;Variable [Video projection]&lt;/p&gt;&#10;&lt;p&gt;The main character (a self-representation of the artist) performs in front of a mirror in a domestic setting. The “real” movements of the character do not correspond to the representation being reflected in the mirror. This exercise rehearses a character already explored in other projects, where she struggles with her own unmoving pose while waiting to be represented.&lt;/p&gt;</description></item><item><title>Divorced… Wedding Dress</title><link>https://patriciajreis.com/projects/divorced-wedding-dress/</link><pubDate>Mon, 06 Apr 2015 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/divorced-wedding-dress/</guid><description>&lt;p&gt;&lt;em&gt;Divorced women wearing their wedding dresses&lt;/em&gt;&lt;/p&gt;&#10;&lt;p&gt;For this project, the artist invited divorced women to wear their wedding dresses again and pose for a portrait in a professional photography studio specialising in wedding photography.&lt;/p&gt;</description></item><item><title>About</title><link>https://patriciajreis.com/about/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/about/</guid><description>&lt;p&gt;Patrícia J. Reis (b. 1981, Lisbon, Portugal) is a media artist and researcher based in Vienna, Austria, exploring human and more-than-human entanglements with technology through feminist hacking, sensory interaction, and embodied interfaces. Her work investigates touch, consent, and care via physical computing, open-source electronics, and haptic art.&lt;/p&gt;</description></item><item><title>Contact &amp; Imprint</title><link>https://patriciajreis.com/contact/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/contact/</guid><description>&lt;figure class="contact-studio-image"&gt;&#10; &lt;img src="https://patriciajreis.com/studio/studio_3_hu_a38bb456d2c70847.webp"&#10; srcset="https://patriciajreis.com/studio/studio_3_hu_f2bcbfb5ebc87d21.webp 800w, https://patriciajreis.com/studio/studio_3_hu_a38bb456d2c70847.webp 1400w, https://patriciajreis.com/studio/studio_3.png 1920w"&#10; sizes="(max-width: 768px) 100vw, 700px"&#10; alt="Panoramic view of Patrícia J. Reis’s studio and work areas"&#10; class=""&#10; loading="lazy"&#10; width="1920"&#10; height="1080"&gt;&#10;&lt;/figure&gt;&#10;&lt;h2 id="contact"&gt;Contact&lt;/h2&gt;&#10;&lt;p&gt;For exhibition inquiries, artist talks, research collaborations, or press requests, please reach out via email:&lt;/p&gt;</description></item><item><title>Curriculum Vitae</title><link>https://patriciajreis.com/cv/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/cv/</guid><description>&lt;h2 id="current-positions--academic-affiliations"&gt;Current Positions &amp;amp; Academic Affiliations&lt;/h2&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;strong&gt;2023–2027&lt;/strong&gt; — &lt;strong&gt;Principal Investigator (Elise Richter PEEK Fellowship)&lt;/strong&gt;&#10;&lt;em&gt;Hacking the body as the black box&lt;/em&gt;, University of Applied Arts Vienna (die Angewandte), Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2015–present&lt;/strong&gt; — &lt;strong&gt;Senior Lecturer in Digital Arts&lt;/strong&gt;&#10;Department of Digital Arts, University of Applied Arts Vienna, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2012–present&lt;/strong&gt; — &lt;strong&gt;Board Member &amp;amp; Co-Curator&lt;/strong&gt;&#10;Mz* Baltazar’s Laboratory — Feminist Hackerspace &amp;amp; Exhibition Space, Vienna, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2020–2023&lt;/strong&gt; — &lt;strong&gt;Postdoctoral Researcher (PEEK Grant)&lt;/strong&gt;&#10;&lt;em&gt;Feminist Hacking: Building Circuits as an Artistic Practice&lt;/em&gt;, Academy of Fine Arts Vienna, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2022&lt;/strong&gt; — &lt;strong&gt;Guest Postdoctoral Researcher&lt;/strong&gt;&#10;Weizenbaum Institute for the Networked Society, Technical University Berlin, Germany&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2015–2023&lt;/strong&gt; — &lt;strong&gt;Lecturer in Physical Computing &amp;amp; Interface Cultures&lt;/strong&gt;&#10;Media Design Department, University of Art and Design Linz, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2006–2012&lt;/strong&gt; — &lt;strong&gt;Assistant Professor&lt;/strong&gt;&#10;Polytechnic Institute of Beja, Portugal (Photography, Video, and Digital Arts)&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h2 id="honors-prizes--fellowships"&gt;Honors, Prizes &amp;amp; Fellowships&lt;/h2&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;strong&gt;2024&lt;/strong&gt; — &lt;strong&gt;Nomination, S+T+ARTS Prize&lt;/strong&gt; — European Commission &amp;amp; Ars Electronica Festival, Linz, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2023–2027&lt;/strong&gt; — &lt;strong&gt;Elise Richter PEEK Grant&lt;/strong&gt; — FWF Austrian Science Fund&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2021&lt;/strong&gt; — &lt;strong&gt;Outstanding Artist Award for Media Art&lt;/strong&gt; — BMKÖS (Federal Ministry for Arts, Culture, Civil Service and Sport, Austria)&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2021&lt;/strong&gt; — &lt;strong&gt;IMPACT ART International Exchange Fellowship&lt;/strong&gt; — San Francisco Bay Area / Ars Electronica Linz / ZERO1&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2020&lt;/strong&gt; — &lt;strong&gt;State Scholarship for Media Art&lt;/strong&gt; — BKA Bundeskanzleramt Kunst und Kultur, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2020–2023&lt;/strong&gt; — &lt;strong&gt;PEEK Research Fellowship&lt;/strong&gt; — FWF Austrian Science Fund&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2020&lt;/strong&gt; — &lt;strong&gt;Artist-in-Residence Fellowship (Mexico City)&lt;/strong&gt; — BKA Bundeskanzleramt Kunst und Kultur, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2018&lt;/strong&gt; — &lt;strong&gt;Artist-in-Residence Fellowship&lt;/strong&gt; — Banff Centre for Arts and Creativity, Canada&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2017&lt;/strong&gt; — &lt;strong&gt;Working Grant for Video &amp;amp; Media Art&lt;/strong&gt; — BKA Bundeskanzleramt Kunst und Kultur, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2016–2017&lt;/strong&gt; — &lt;strong&gt;Artist-in-Residence Fellowship&lt;/strong&gt; — ResidenceSEA, Heraklion, Greece&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2014&lt;/strong&gt; — &lt;strong&gt;Fellowship in Residence&lt;/strong&gt; — Hanse-Wissenschaftskolleg (HWK) Institute for Advanced Study, Delmenhorst, Germany&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2013&lt;/strong&gt; — &lt;strong&gt;Media Art Project Grant&lt;/strong&gt; — Stiftung Niedersachsen / Edith-Russ-Haus für Medienkunst, Oldenburg, Germany&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2013&lt;/strong&gt; — &lt;strong&gt;Artist-in-Residence Fellowship&lt;/strong&gt; — CRIR (Christiania Researcher in Residence), Copenhagen, Denmark&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2011–2015&lt;/strong&gt; — &lt;strong&gt;Doctoral Research Fellowship&lt;/strong&gt; — FCT (Foundation for Science and Technology), Portugal&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2007&lt;/strong&gt; — &lt;strong&gt;Rothschild Art Prize (Finalist / Selected Artist)&lt;/strong&gt; — Lisbon, Portugal&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h2 id="selected-exhibitions"&gt;Selected Exhibitions&lt;/h2&gt;&#10;&lt;h3 id="2026"&gt;2026&lt;/h3&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;em&gt;Massage Chair&lt;/em&gt; (Solo Show) — Vienna Secession Tuesdays, Vienna, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Are You Human?&lt;/em&gt; (Group Show) — Khoj Studios, New Delhi, India&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;whatamess&lt;/em&gt; (Group Show) — Galerie Lisi Hämmerle, Bregenz, Austria&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h3 id="2025"&gt;2025&lt;/h3&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;em&gt;Sensorial Mechanisms&lt;/em&gt; (Duo Show) — Łaźnia Centre for Contemporary Art, Gdańsk, Poland&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Suck my Code&lt;/em&gt; (Group Show) — Exhibit Galerie, Vienna, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Machinic Metabolism&lt;/em&gt; (Group Show) — Lothringer 13 Halle, Munich, Germany&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Traces of Control&lt;/em&gt; (Solo Show with Ruth Schnell) — Galerie Lisi Hämmerle, Bregenz, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Anti/Medea: Phantasms, Love, Deceptions&lt;/em&gt; (Group Show) — Back to Athens Festival, Isaia Mansion, Athens, Greece&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;The Unexpected: Enquiries on Human-AI Interaction&lt;/em&gt; (Group Show) — AIL (Angewandte Interdisciplinary Lab), Vienna, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Deep Skin&lt;/em&gt; (Group Show) — NODE Media Lab, ORF Funkhaus, Vienna, Austria&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h3 id="2024"&gt;2024&lt;/h3&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;em&gt;Coffee Table&lt;/em&gt; (with Stefanie Wuschitz &amp;amp; Taguhi Torosyan) — xCoAx 2024, 12th Conference on Computation, Communication, Aesthetics &amp;amp; X, Treviso, Italy&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Tombola VII&lt;/em&gt; (Group Show) — ES49, Vienna, Austria&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h3 id="2022"&gt;2022&lt;/h3&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;em&gt;Critical Care &amp;amp; Feminist Electronics&lt;/em&gt; — Ars Electronica Festival, Linz, Austria&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h3 id="2019"&gt;2019&lt;/h3&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;em&gt;BLOW! — Somatic Respiratory Interface&lt;/em&gt; — Vienna / Berlin&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h3 id="2017"&gt;2017&lt;/h3&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;em&gt;[B.M.I.] Believer. Machine. Interface.&lt;/em&gt; — Schauraum Angewandte, MuseumsQuartier, Vienna, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Intimate Archives After Media&lt;/em&gt; (with Carla Cabanas) — Mz* Baltazar’s Lab, Vienna, Austria&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h3 id="2016"&gt;2016&lt;/h3&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;em&gt;Underneath the Skin Another Skin&lt;/em&gt; — Lisbon, Portugal &amp;amp; Vienna, Austria&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;The Wishing Machine Project&lt;/em&gt; — Vienna, Austria&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h3 id="20132015"&gt;2013–2015&lt;/h3&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;em&gt;Cutting the Body&lt;/em&gt; — Oldenburg &amp;amp; Vienna&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Odalisques #2&lt;/em&gt; — Interactive Installation&lt;/li&gt;&#10;&lt;li&gt;&lt;em&gt;Myself as Diana&lt;/em&gt; — Audiovisual Participative Installation&lt;/li&gt;&#10;&lt;/ul&gt;&#10;&lt;h2 id="education"&gt;Education&lt;/h2&gt;&#10;&lt;ul&gt;&#10;&lt;li&gt;&lt;strong&gt;2016&lt;/strong&gt; — &lt;strong&gt;PhD in Art &amp;amp; Media Theory&lt;/strong&gt; — University of Évora, Portugal&#10;&lt;em&gt;Thesis: Underneath the Skin Another Skin: Tactility and Sensoriality in Interactive Art&lt;/em&gt; (Fellowship: FCT)&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2011&lt;/strong&gt; — &lt;strong&gt;Master in Media Art&lt;/strong&gt; — Lusófona University of Humanities and Technologies, Lisbon, Portugal&lt;/li&gt;&#10;&lt;li&gt;&lt;strong&gt;2004&lt;/strong&gt; — &lt;strong&gt;Bachelor / Diploma in Fine Arts (Painting)&lt;/strong&gt; — ESAD (School of Arts and Design), Caldas da Rainha, Portugal&lt;/li&gt;&#10;&lt;/ul&gt;</description></item></channel></rss>