Interactive Installation on Patrícia J. Reis — Media & Installation Artist

Skin under skin

Tue, 07 Apr 2026 00:00:00 +0000

Skin under skin, is an audio-visual-tactile interactive installation composed of three human-scale soft objects that invite direct bodily engagement. Made from flexible materials, the work creates a sensorial and intimate relationship between the interactor and the system of the piece. Each object integrates an audio-visual-tactile interface: flickering light, pulsed sound, and internal vibration. When the interactor approaches with eyes closed and engages through touch, the synchronisation of these stimuli generates internal visual phenomena—moving geometric patterns and colours emerging from the brain’s interpretation of altered sensory input. Through this process, perception becomes the site of image construction. The interactor’s sensorial apparatus operates as an active system, producing individual and singular experiences. The interaction is not limited to the work’s technical system; rather, Interaction unfolds within the body, occuring within the internal space of the interactor. The interactor interacts within its system, generating new information and producing experiences in a singular way.

Sensorial Mechanisms

Sun, 01 Mar 2026 00:00:00 +0000

Artists Dorota Walentynowicz and Patrícia J. Reis create a shared visual and conceptual space shaped by a soft yet firm negotiation of the gaze. The exhibition brings together a constellation of objects, images, and surfaces that do not fully reveal themselves. Instead, they flicker between presence and concealment—between the desire to be seen and the right to refuse visibility. Embedded within these gestures is an inquiry into the digital gaze: mediated seeing, synthetic vision, machine desire. The artists ask whether, even for a brief moment, we can step back from the flood of images that saturates our daily lives and reflect on the normative frameworks of seeing and being seen—frameworks that reinforce prejudice, capitalism, and colonial narratives. They direct the audience’s attention toward what remains unseen, shifting the gaze away from spectacle and toward its backstage. In doing so, they expose mechanisms of power, recover what has been forgotten, and open the possibility of re-reading the history of visual media and technology from a feminist perspective.

Traces of Control

Tue, 12 Aug 2025 00:00:00 +0000

Within their artistic research Patrícia J. Reis and Ruth Schnell explore the far-reaching societal and ethical impacts of artificial intelligence, as well as its technological influence on our lived environment. Their interactive mixed media installation expands the physical exhibition into a hybrid experiential space by interweaving virtual and physical layers and adding a digital dimension to real objects and artefacts.

Massage Chairs Love series

Fri, 09 Feb 2024 00:00:00 +0000

The work Massage Chair series offers a tangible encounter between automation and perception, where the machine and the body share a material space, engage in a metaphoric dialogue of touch, each responding to the other’s inputs. Participants are invited to embody, relax, and sit comfortably in the specially adjustable chairs — upcycled massage chairs modified by the artist, to which she added comfortable upholstered details and a technical audiovisual–tactile interface.

What's love got to do with it?

Thu, 09 Nov 2023 00:00:00 +0000

“A culture of domination is anti-love. It requires violence to sustain itself. To choose love is to go against the prevailing values of the culture. Many people feel unable to love either themselves or others because they do not know what love is.” Bell Hooks (1994)

CLAY PCB

Fri, 15 Sep 2023 00:00:00 +0000

We challenge conventional PCB economies through feminist hacking lenses, prioritising sentient, low-impact, non-toxic, fair-traded, and recycled production methods.

It is an open secret that the hardware in our smart devices contains not only plastics but also conflict minerals like tin, silver and gold. We investigated alternative hardware from locally sourced materials, so-called ethical hardware, to develop and speculate upon renewable practices for the benefit of both nature and humans. To decolonise technology we had to go beyond demystifying the black box, and dive deeper into understanding the basic elements these circuits and chips are made of. This journey took us virtually to many places, from gold mines in Indonesia to upcycle workshops in Cuba and e-waste landfills in Ghana.

Coffee Table

Thu, 08 Sep 2022 00:00:00 +0000

In the interactive installation Coffee Table (in German ‘Kaffeekränzchen’), the legacy of gendered porcelain collecting, and the different functions and meaning of this in women’s lives, was explored, while also engaging with themes of art, science and technology.

endoSensorial mask

Fri, 19 Aug 2022 00:00:00 +0000

endoSensorial mask is an interactive installation composed by one sculpture/ mask suspended in space and hanged from the ceiling. The participant is invited to wear a VR headset (embedded in the sculpture) and embody it in multiple possible ways. By doing so, the participant is immersed in a virtual reality environment which is synchronised with the worn physicality of the objects.

from object to affect: proposals for future archives after the media

Sun, 28 Nov 2021 00:00:00 +0000

In the light of the current context of the big data in which data processing, data curation, storage, transfer, visualisation and privacy are major topics of discussion, artists Carla Cabanas and Patrícia J. Reis collaborate for the second time on an artist project that aims to reflect upon alternative ways of digital archiving, materialisation and/or dematerialisation of private objects.

Sensorial Screen #3

Sun, 28 Nov 2021 00:00:00 +0000

The sculpture Sensorial Screen #3 is an interactive installation that allows the body to view itself as a place where complex visual information. Is perceived as a sensation that can also be felt on the skin level. The vibration (60 vibration motors) reacts to the motion of the flag represented in the video. Weather-related pain or meteoropathy is the effect of weather on the human organism. Air pressure fluctuations, foehn winds, heat waves, changing humidity and thunderstorms might have an effect on general health, mood and performance levels of individuals.In particular, people who are weakened by chronic diseases, such as rheumatism or asthma are more sensitive to the weather.

Blow!

Thu, 07 Nov 2019 00:00:00 +0000

In the light of the current digital media context, in which data and privacy are major topics of discussion, Patrícia J. Reis artwork examines potential processes of semantic translation between humans and machines.

Through the hole is the way "Out-of-This World"

Mon, 29 Jul 2019 00:00:00 +0000

Through the hole is the way ‘Out-of-This-World’ is a site-specific interactive installation presented by media artists Patricia J. Reis in collaboration with Lukas Vincent Walcher, first created for the open-air segment of the experimental station Kulturdrogerie in Vienna and, later installed and adapted to the nature site-specificity of Flora Pondtemporary, Stiftsteiche in St. Florian, Austria.

Sensorial screen #1

Tue, 18 Sep 2018 00:00:00 +0000

The project Sensorial screen is a concept for an interactive installation that considers the body as a screen, as a place, in which complex visual information can be perceived as a sensation, and felt at the skin level. By focusing on the haptic experience of the participant it takes into consideration his or hers sensorial biological apparatus in the construction of unique individual phenomenological experiences.

Touching my breath

Thu, 23 Aug 2018 00:00:00 +0000

In the light of the current digital media context, in which data and privacy are major topics of discussion, Patrícia J. Reis artwork examines potential processes of semantic translation between humans and machines. Touching my breath (2018) focuses on one’s own intimate haptic system, taking into consideration their sensorial mechanism as an apparatus for the construction of individual sensations. The interactive installation invites participants to engage physically and bodily, experiencing haptic sensations resultant from the data collected from their own breath.

Intimate Archives After Media

Fri, 05 Jan 2018 00:00:00 +0000

In the light of the current context of the big data where data processing, data curation, storage, transfer, visualization and privacy are major topics of discussion, artists Carla Cabanas and Patrícia J. Reis proposed to collaborate on an artist project that aims to reflect upon future ways of materialization and/or dematerialization of visual private archives.

Inside out: myself as Diana

Thu, 04 Jan 2018 00:00:00 +0000

Inside out: Myself as Diana is an interactive installation that allows participants to see another reality behind a wall. A small monitor is placed on a table, leaning to a wall, inviting manipulation from the interactor. By doing so, he/she can see a video image representing an intimate scene, namely a woman bathing. The interactor can manipulate the screen freely on the wall’s surface to watch small parts of the image, in order to compose the whole represented action. The screen works as an access window to a virtual and intimate space, a tangible interface between two realities, turning interactivity into a voyeuristic experience.

Odalisques #1

Thu, 04 Jan 2018 00:00:00 +0000

A monitor is installed following a photograph of a women reclining on a sofa, with her back to the viewer. The participant might move freely (all directions) the monitor in order to perceive a different image, from that in the photograph. Although the moving image that appears on the screen corresponds to the still shot, the video works as a window enabling the observer to see beyond it. By moving the monitor, the observer becomes a voyer.

Odalisques #2

Thu, 04 Jan 2018 00:00:00 +0000

A monitor is installed featuring a photograph of two female figures with their backs to the viewer. The participant can freely move the monitor – in all directions – to see a different image than that in the photograph. Although the moving image that appears on the screen corresponds to the still shot, the video operates as a window, enabling the viewer to see beyond it – to virtually enter the invisible side of the image.

Underneath the skin another skin

Thu, 04 Jan 2018 00:00:00 +0000

Underneath the skin another skin is an audio-visual-tactile interactive installation presented in the shape of three human-scale tridimensional objects. It is made of flexible materials such as textiles, inviting the interacting audience to engage physically in a bodily sensorial and sensuous relationship with the artwork.