<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Collaborations on Patrícia J. Reis — Media &amp; Installation Artist</title><link>https://patriciajreis.com/categories/collaborations/</link><description>Recent content in Collaborations on Patrícia J. Reis — Media &amp; Installation Artist</description><generator>Hugo</generator><language>en-US</language><lastBuildDate>Sun, 01 Mar 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://patriciajreis.com/categories/collaborations/index.xml" rel="self" type="application/rss+xml"/><item><title>Sensorial Mechanisms</title><link>https://patriciajreis.com/projects/sensorial-mechanisms-2025-2026/</link><pubDate>Sun, 01 Mar 2026 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/sensorial-mechanisms-2025-2026/</guid><description>&lt;p&gt;Artists Dorota Walentynowicz and Patrícia J. Reis create a shared visual and conceptual space shaped by a soft yet firm negotiation of the gaze. The exhibition brings together a constellation of objects, images, and surfaces that do not fully reveal themselves. Instead, they flicker between presence and concealment—between the desire to be seen and the right to refuse visibility.&#10;Embedded within these gestures is an inquiry into the digital gaze: mediated seeing, synthetic vision, machine desire. The artists ask whether, even for a brief moment, we can step back from the flood of images that saturates our daily lives and reflect on the normative frameworks of seeing and being seen—frameworks that reinforce prejudice, capitalism, and colonial narratives.&#10;They direct the audience’s attention toward what remains unseen, shifting the gaze away from spectacle and toward its backstage. In doing so, they expose mechanisms of power, recover what has been forgotten, and open the possibility of re-reading the history of visual media and technology from a feminist perspective.&lt;/p&gt;</description></item><item><title>Traces of Control</title><link>https://patriciajreis.com/projects/traces-of-control/</link><pubDate>Tue, 12 Aug 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/traces-of-control/</guid><description>&lt;p&gt;Within their artistic research Patrícia J. Reis and Ruth Schnell explore the far-reaching societal and ethical impacts of artificial intelligence, as well as its technological influence on our lived environment. Their interactive mixed media installation expands the physical exhibition into a hybrid experiential space by interweaving virtual and physical layers and adding a digital dimension to real objects and artefacts.&lt;/p&gt;</description></item><item><title>The Cosmic Box</title><link>https://patriciajreis.com/projects/the-cosmic-box-2024/</link><pubDate>Sat, 02 Aug 2025 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/the-cosmic-box-2024/</guid><description>&lt;p&gt;In their site-specific video installation titled The Cosmic Box, artists Patrícia J. Reis and Fernando Mesquita craft a thought-provoking satire that reflects on the human condition, blending dark humor with poignant social critique. Part of the group exhibition Tombola, where the theme and media for each artwork are determined by chance, Reis and Mesquita received the theme “Hope” and the media “Staging.” Their response is a clever subversion of the very notion of hope, offering instead a narrative steeped in pessimism and critique of human existence.&lt;/p&gt;</description></item><item><title>Of clouds and clocks</title><link>https://patriciajreis.com/projects/of-clouds-and-clocks-2024/</link><pubDate>Wed, 24 Apr 2024 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/of-clouds-and-clocks-2024/</guid><description>&lt;p&gt;The sound installation and performative interpretation Of clouds and clocks after György Ligeti&amp;rsquo;s &amp;ldquo;Poème symphonique for 100 metronomes&amp;rdquo; was conceived for the exhibition Unabridged at the Kunstlerhaus in Vienna that combined a series of contemporary artistic positions from Dora Deliyska, Anna Hofbauer, Kai Maier-Rothe, Phelim McConigly, Flavio Palasciano, Patricia J. Reis, Axel Stockburger, Johanna Charlotte Trede.&lt;/p&gt;</description></item><item><title>What's love got to do with it?</title><link>https://patriciajreis.com/projects/whats-love-got-to-do-with-it/</link><pubDate>Thu, 09 Nov 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/whats-love-got-to-do-with-it/</guid><description>&lt;p&gt;“A culture of domination is anti-love. It requires violence to sustain itself. To choose love is to go against the prevailing values of the culture. Many people feel unable to love either themselves or others because they do not know what love is.” Bell Hooks (1994)&lt;/p&gt;</description></item><item><title>CLAY PCB</title><link>https://patriciajreis.com/projects/clay-pcb-2023/</link><pubDate>Fri, 15 Sep 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/clay-pcb-2023/</guid><description>&lt;p&gt;We challenge conventional PCB economies through feminist hacking lenses, prioritising sentient, low-impact, non-toxic, fair-traded, and recycled production methods.&lt;/p&gt;&#10;&lt;p&gt;It is an open secret that the hardware in our smart devices contains not only plastics but also conflict minerals like tin, silver and gold.&#10;We investigated alternative hardware from locally sourced materials, so-called ethical hardware, to develop and speculate upon renewable practices for the benefit of both nature and humans. To decolonise technology we had to go beyond demystifying the black box, and dive deeper into understanding the basic elements these circuits and chips are made of. This journey took us virtually to many places, from gold mines in Indonesia to upcycle workshops in Cuba and e-waste landfills in Ghana.&lt;/p&gt;</description></item><item><title>Who has land to make a fire?</title><link>https://patriciajreis.com/projects/who-has-land-to-make-a-fire/</link><pubDate>Thu, 23 Mar 2023 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/who-has-land-to-make-a-fire/</guid><description>&lt;p&gt;The project by Patrícia J. Reis, Céline Struger and Kristin Weissenberger was presented at Mz* Baltazar’s Laboratory (2023), Vienna, in the form of an exhibition. It revolved around the group&amp;rsquo;s collaborative and artistic process, using ceramics as their primary medium for exploration. The group’s goal was to create a shared artistic process that encouraged reflection and discussion among the artists involved. Through this project, the artists also wanted to shed light on the emancipation history of female artists and to explore the relationship between ceramics, hacking and other fields of art.&lt;/p&gt;</description></item><item><title>Coffee Table</title><link>https://patriciajreis.com/projects/coffee-table/</link><pubDate>Thu, 08 Sep 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/coffee-table/</guid><description>&lt;p&gt;In the interactive installation Coffee Table (in German ‘Kaffeekränzchen’), the legacy of gendered porcelain collecting, and the different functions and meaning of this in women’s lives, was explored, while also engaging with themes of art, science and technology.&lt;/p&gt;</description></item><item><title>Low-tech paper pulp lab</title><link>https://patriciajreis.com/projects/low-tech-paper-pulp-lab-2022/</link><pubDate>Mon, 01 Aug 2022 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/low-tech-paper-pulp-lab-2022/</guid><description>&lt;p&gt;The participatory installation Low-tech paper pulp lab aims at bringing together people from different backgrounds and mind sets to collaborate with the artists in a commodity chain performance designed for recycling and upcycling paper collected from the streets of Havana.&lt;/p&gt;</description></item><item><title>from object to affect: proposals for future archives after the media</title><link>https://patriciajreis.com/projects/from-object-to-affect-proposals-for-future-archives-after-the-media-2021/</link><pubDate>Sun, 28 Nov 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/from-object-to-affect-proposals-for-future-archives-after-the-media-2021/</guid><description>&lt;p&gt;In the light of the current context of the big data in which data processing, data curation, storage, transfer, visualisation and privacy are major topics of discussion, artists Carla Cabanas and Patrícia J. Reis collaborate for the second time on an artist project that aims to reflect upon alternative ways of digital archiving, materialisation and/or dematerialisation of private objects.&lt;/p&gt;</description></item><item><title>"The Medusa v. The Odalisque"</title><link>https://patriciajreis.com/projects/the-medusa-v-the-odalisque-2021/</link><pubDate>Mon, 09 Aug 2021 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/the-medusa-v-the-odalisque-2021/</guid><description>&lt;p&gt;“The Medusa v. The Odalisque” is the artists&amp;rsquo; ongoing research towards a critical reflection on the subject of visual pleasure in the age of digital entities. The exhibition consists of a collection of objects and images which engage the visitors in a spectacle of gazes.&lt;/p&gt;</description></item><item><title>Through the hole is the way "Out-of-This World"</title><link>https://patriciajreis.com/projects/through-the-hole-is-the-way-out-of-this-world-2019/</link><pubDate>Mon, 29 Jul 2019 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/through-the-hole-is-the-way-out-of-this-world-2019/</guid><description>&lt;p&gt;Through the hole is the way ‘Out-of-This-World’ is a site-specific interactive installation presented by media artists Patricia J. Reis in collaboration with Lukas Vincent Walcher, first created for the open-air segment of the experimental station Kulturdrogerie in Vienna and, later installed and adapted to the nature site-specificity of Flora Pondtemporary, Stiftsteiche in St. Florian, Austria.&lt;/p&gt;</description></item><item><title>Intimate Archives After Media</title><link>https://patriciajreis.com/projects/intimate-archives-after-media/</link><pubDate>Fri, 05 Jan 2018 00:00:00 +0000</pubDate><guid>https://patriciajreis.com/projects/intimate-archives-after-media/</guid><description>&lt;p&gt;In the light of the current context of the big data where data processing, data curation, storage, transfer, visualization and privacy are major topics of discussion, artists Carla Cabanas and Patrícia J. Reis proposed to collaborate on an artist project that aims to reflect upon future ways of materialization and/or dematerialization of visual private archives.&lt;/p&gt;</description></item></channel></rss>